By TYRAN GRILLO
Percussion ensembles and their repertoires can be hard sells in the contemporary music market. On the one hand, their emphasis on rhythm over, or in tandem with, melody makes them accessible to a broader audience than their classical allegiances might have us believe. On the other, that very slipperiness renders them moving targets in a genre-driven industry. The members of Sō Percussion, one of the leading quartets of its kind, bring such an eclectic mix of backgrounds, tastes, and talents to the table that any reliance on category would seem long dead. That said, Friday evening’s concert at Bailey Hall charted a disorienting EKG graph of peaks and valleys that left behind more questions than answers.
The program’s frame consisted of two perennial classics by composer Steve Reich.
Courtesy of Sō Percussion