PONTIN | From the Trenches

In something of a similar sense, trench warfare is a commonly discussed yet insufficiently explored fact of the conflict. Again, it is often mentioned only in the context of the far more innovative and intricate war technologies that would come to bear in subsequent altercations: nuclear bombs, radar and jet engines. Even when the trenches are given adequate attention, they are degraded as a strikingly inefficient and slow-moving means of making progress. The psychological anguish that festered within them, as well as the art spawned by these emotional swells, is rarely upheld as a worthy topic on its own. 

KUDVA DRISKELL | Marvel’s Blatant Militarism

Pentagon funding aside, let’s consider the basic plot of the vast majority of Marvel movies: an attractive superhero travels to another country or world to fight a horde of faceless CGI monsters. Because, you know, apparently we should think that enemies overseas aren’t people.

PONTIN | All Hallow’s Eve

More profoundly, though, Halloween prompts us to tap into something that lies much deeper in our consciousness, something tied to an inherent desire to be flexible in our definitions of who we are. Halloween is, at its core, a celebration of malleability and a testament to the joy of recharacterization, imagination and exploration. 

PONTIN | When Cartoons Aren’t Funny

Political cartoons were perhaps the most openly accessible form of sociopolitical commentary in their time, largely abandoning the requirements for highbrow education — or even mere literacy — that newspaper columns and longer form publications demanded of their readers.

PONTIN | The Wilderness Experience

In reality, however, folk music is distinct from the genres we are quick to fasten together with it. Folk music’s melodious musketeers are made dear to us by the nuances that slowly reveal themselves to us unacquainted listeners as we let ourselves become submerged in their sounds: The deep acoustic and percussive tones of Americana, the often frustrated sense of fire in country and the confluence of higher-pitched string instrumentals like the fiddle and the banjo in bluegrass. 

LU | Exhaustion, 4 Exhibitions and Pleasure Reading

Spring semesters have always had a rapid cadence but this year, March slipped straight to May and April was an immaterial haze. Perhaps my April was also marked by the exhaustion of four nearly back-to-back exhibitions in the Johnson Museum.