“The most hunted/Body of the modern age/Flowers crown her head/Ancient goddess of the moon”
So purrs lead vocalist Kristoffer Rygg on “Nemoralia”, the opening track of The Assassination of Julius Caesar. The track is named after the Roman festival celebrating the goddess Diana, syncretized here with Diana, Princess of Wales. The contrast of Princess Di’s famously untimely demise with the ancient immortality of the gods creates a troubling contradiction – if celebrities are our new deities, what does it mean that those we have imbued with godhood also die? Ulver, a Norwegian experimental band whose genre-defying catalog has ranged from black metal to electronica and even opera, has declared their latest to be their “pop album.” Indeed the eight tracks which compose The Assassination of Julius Caesar have an immediate appeal akin to pop, a pulsating, polished immediacy given menacing depth, a more baroque version of the glamorous anguish found in the music of popular artists such as, say, Rihanna or Drake. The Assassination is as immersive and intense, each song a perfectly realized expression rich in aural detail.