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Sherlock’s Fourth Season Had More Than One Final Problem

Sherlock’s fourth season was a whirlwind of twists, turns and excitement. While this season was extremely entertaining and watchable, many of the emotional stakes felt forced and it lacked Sherlock’s addictive spirit that made previous seasons so great. SPOILER ALERT THE NEXT TWO PARAGRAPHS. Throughout this season Sherlock takes a more personal look at the characters as their pasts catch up with them and they are forced to finally face their demons. Mary’s mysterious former life comes to light as an old teammate surfaces to kill her after thinking that she betrayed their team, and while she escapes his threat, she ultimately dies saving Sherlock after he’s provoked the woman who betrayed Mary with his cockiness.

COURTESY OF CHOROKBAEM MEDIA

A Lifting Love Story: Weightlifting Fairy Kim Bok-Joo

 

Nobody wants to watch a cheesy K-drama about first love, unless you’re feeling reminiscent and/or have the time. What’s not important is why you watched Weightlifting Fairy Kim Bok-Joo, but rather what you felt for each character, which tells you a lot about yourself in the most unexpected way. In the first episode, the most important characters are introduced, as well as the conflicts. Kim Bok-Joo is the university’s weightlifting ace, and has her mind set on nothing but weightlifting to make her dad proud. Jung Joon-Hyeong should parallel her in swimming, but his anxiety before matches causes him to have false starts and get disqualified.

COURTESY OF NETFLIX

The Death of the Gilmore Girls

This article is dedicated to the original Arts journalist, Rory Gilmore — even though she was the Editor-in-Chief of the Yale Daily News. Originally conceived of as a home-delivery DVD service, Netflix’s influence has spanned beyond its refusal to charge customers late fees. Its magical algorithm that generates suggestions based on viewers’ past media preferences, library of unabridged series and truckloads of original content destigmatize acute television obsession. But in other areas — specifically in its attempt at revival programming — the streaming service has not been as successful. Its poor endeavor to resuscitate Arrested Development seven years after it was canceled by Fox left viewers confused as to why they even enjoyed the show in the first place.

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No Tomorrow Sees a Bright Future

The phrase “you only live once” started with Drake’s song “The Motto,” and within the span of a couple weeks, it became the slogan of 2011. The basic concept was “do what you want today because life is short.” It’s an exciting concept — suddenly all those papers and midterms seemed a little less important and living life to the fullest seemed like a better use of one’s time. It appears the CW has taken on Drake’s philosophy in their new series, No Tomorrow, which aired on Oct. 4. The show revolves around the sweet but safe Evie Covington, played by Toni Anderson.

PHOTOS COURTESY OF NETFLIX

Netflix’s Luke Cage is Good… At First

Luke Cage is a good show… for a bit. The first seven of thirteen episodes are a delight. Marvel’s new entry into its online-exclusive Defenders series (comprised of Daredevil, Jessica Jones and the upcoming Iron Fist) will get its fans all the more hyped up for when the four eventually convene. Creator Cheo Hodari Coker and lead actor Mike Colter do brilliant jobs in what is another solid entry to the already-great Netflix universe. Luke Cage provides an enthralling look into a gritty Harlem still reeling from the extraterrestrial incident of Joss Whedon’s Avengers (2012).

COURTESY OF NETFLIX

Easy on the Eyes

There’s so much sex on TV. Like, so much. Think: Game of Thrones, Sex and the City, Orange is the New Black, Masters of Sex, Skins. The list goes on. Sex is so ubiquitous on TV that you’d think the new Netflix series, Easy, is just another title to add to the list of sex-themed programs, with nothing quite fresh or new to add besides the shock value of obscenity.

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StartUp: Just Another One in the 50 Percent

More than 50 percent of startups fail in their first five years. Crackle’s new show will likely join that statistic in its first two: StartUp has all the makings of a top-tier prestige drama — dark lighting, sex scenes, cursing, screaming, serious themes — but comes off as totally average. It features strong (for the most part) performances and an intriguing concept, but doesn’t exactly hit its mark. What it lacks in quality, however, it certainly makes up for in heart. It is clear that StartUp is committed to its message but the follow-through just isn’t there.

PHOTOS COURTESY OF NETFLIX

Stranger Things Puts the Science (And Much More) Back in Science Fiction

When you watch Stranger Things, you are immediately transported into a relic of the 1980s. It was a time when adventure was sought out, science was deemed cool and heroism was somewhat synonymous with nerdiness. We are introduced to our heros — four boys around ten years old who strive for scientific exploration, fantastical adventure and unbreakable friendship — and, as viewers, immediately become attached to them. From the beginning of the first episode, there is an underlying element of supernaturalness that becomes much more overt later in the hour. However, unlike most shows for which the basis of the storyline is made up of supernatural events, this show isn’t nauseatingly cheesy or predictable.

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The American Family Veers Off-Road: The Detour

As someone who watches comedy TV a lot — and I mean a lot — I’ve found that there’s one key ingredient in creating a successful TV comedy: don’t make your show based on a funny plot; make it based on funny characters. Write good characters, and the good plots will come. The Detour, created by The Daily Show power couple Samantha Bee and Jason Jones, completely fails this litmus test for a sustainable, quality TV comedy. The new TBS series follows a family of four attempting to drive to a relaxing beach vacation, finding themselves embroiled in misadventure after misadventure. To make things more complicated, father Nate Parker (Jones) recently lost his job at a nefarious biopharmaceutical company and keeps this hidden from his family, paving the way for even more clandestine antics as he tries to frame his ex-employer for unethical behavior.

COURTESY OF NETFLIX

Unbreakable Kimmy Schmidt Season Two

Oh, Unbreakable Kimmy Schmidt. I don’t know how to quite put this, so I’m just going to say it:

I think we should break up. It’s not you, it’s me. But, like, it’s also totally you. When I binged your first season last year, I fell hopelessly in love.