This article is dedicated to the original Arts journalist, Rory Gilmore — even though she was the Editor-in-Chief of the Yale Daily News. Originally conceived of as a home-delivery DVD service, Netflix’s influence has spanned beyond its refusal to charge customers late fees. Its magical algorithm that generates suggestions based on viewers’ past media preferences, library of unabridged series and truckloads of original content destigmatize acute television obsession. But in other areas — specifically in its attempt at revival programming — the streaming service has not been as successful. Its poor endeavor to resuscitate Arrested Development seven years after it was canceled by Fox left viewers confused as to why they even enjoyed the show in the first place.