Sarah Jefferis’s collection, Forgetting the Salt, is filled with full-bodied, no-nonsense poems, some of which read slow and detailed, full of causality and precision, and others which rush the reader through as if on a “water slide” of images and sounds. The stories and characters, and specifically the way in which the information about them unfurls throughout the collection, are so compelling, they should be left to discovery of the reader. Clues about the speaker’s mother’s Laundromat, her discovery of various facets of her sexuality and of the “grief on the hip bone / of fear” which has been present in her life, are dropped throughout the collection.
