EDM trio Swedish House Mafia are about to leave the world behind. Their latest, and final, album explains why the band can sell out Madison Square Garden twice in seven minutes. Peter Noback '13 reviews Until Now.

Kai Sam Ng '14 relives the final hours of electronic/punk group LCD Soundsystem with the sublime documentary, Shut Up and Play the Hits, that captures the band's beautiful end.

The British invasion continues with Ellie Goulding's over-synthesized but still engaging sophomore album, Halcyon, writes Yana Lysenko '16.

Daniela Gesundheit, one half of the Canadian electro-folk duo Snowblink, answers questions by Daveen Koh '14 about touring Japan, mixing the band's sophomore record and delivering "vocal treatments" at Prospect Park. The band played The Haunt on Saturday.

Kai Sam Ng '14 reviews the latest, genre-defying LP by electronic music master Flying Lotus.

On Saturday, Swedish D.J. Avicii exhilirated Barton Hall with his notably melodic brand of E.D.M. Nothing was less than spectacular, from Avicii's grand entrance to the stunning stage effects, writes Lucas Colbert-Carreiro '15, who was overwhelmed by the excitement at the sold-out concert.  

With its last album, Merriweather Post Pavilion, Animal Collective was at the top of the world. James Rainis '14 breaks the unfortunate news: Centipede Hz brings the group back to Earth.

The big names rocked Bonnaroo, but Dan Robbins '13 offers five newcomers who stole the show.

Zach Reisler '14 raves over the euphoric Vava Voom, "a filthy creative continuation of Bassnectar’s evolving career."

Passion Pit delivered a heartfelt and emotional (though technically imperfect) performance of their technicolor, synthtacular jams at Barton Hall on Saturday night.