Great films only become "great" by surviving multiple viewings. Zachary Zahos ‘15 is not sure Terrence Malick's To the Wonder can do so.

In a day and age when so many movies would rather aim so low as to hit nothing than bite off more than they can chew, the grandiosity of Cianfrance’s film is commendable, writes Mike DiStefano '16.

The task of adapting a novel to the film screen is always a difficult one. But it is especially difficult when that novel is On The Road, Allison Vitkauskas '14 writes.

Laura Boland '15 reviews Stoker, whose homages to Hitchcock are unable to save it from becoming an unsatisfying movie with a satisfying end.

Sally Potter’s Ginger & Rosa is, at its core, an exploration of the doldrums which pervaded pre-Beatlemania England at the height of the nuclear scare. It is a film steeped in melancholia and muted gray tones. This is not the optimal fare for those seeking an uplift at the movies.

Julia Moser finds a little to pass, but a lot to reject, from Admission.

Gaby Velkes '16 finds a lot to love in Now, Foragers, the world's first (or, at the very least, most recent) drama about mushrooms.

After coming to terms with the difficulties of creativity, Zachary Zahos '15 has learned to appreciate art's intertextual nature.

Though not an easy watch, Amour is powerful to the point of paradox, Zachary Zahos '15 writes.

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