Director Tom Hooper dreamed a dream, and a brilliant ensemble cast delivered (for the most part). Marissa Tranquilli '15 reviews the ambitious film adaptation of Les Misérables which, despite accusations of weak singing, manages to haunt and move with its depiction of love, suffering and redemption. 

Money makes the world go round in this smooth and suave crime movie. Despite it's veteran cast and stunning cinematography, Arbitrage still leaves Marissa Tranquilli '15 dissatisfied.

Kaitlyn Tiffany '15 was looking for another reason to fall in love with America's favorite hard-hitter, Clint Eastwood, but Trouble with the Curve completely missed the mark, despite the promising presence of Amy Adams and Justin Timberlake. If you're hoping to be inspired by a solid sports movie, watch Moneyball instead. 

Brimming with zombie communists and undead mailmen, the especially bloody and brainless addition to the Resident Evil saga disturbs Sam Bromer '16. The latest video-game-adaptation sequel feels like one long video game, or a particularly macabre episode of Dora the Explorer ... oh, why even bother.

Patrick Cambre '12 and Jon Goldsmith '12 discuss the coming Banff Mountain Film Festival.

Sydney Ramsden '14 argues that film can't exist without music. 

Zachary Zahos '15 reviews Hugo.

Hannah Stamler previews Cornell Cinema's short film series, which features music by the Alloy Orchestra.

The Banff Mountain Film Festival arrived in town once again last Friday, and for the sixth straight year wowed a sold-out crowd in the Kennedy auditorium — the most exciting thing to happen in that room since Professor Fahey pulled out his guitar and tie-dyed t-shirt in the middle of class.