Arts

Record Review: Yeah Yeah Yeahs

Samuel Gordon II  —  Sep 6, 2007

From the first resounding downbeats and continuous cymbal-crashing of Brian Chase’s drumming on “Rockers to Swallow” it’s evident that the Yeah Yeah Yeahs latest effort is brimming with their patented formula of raw energy and excess. In just 18 minutes, the NYC trio captures a heavy sound similar to their debut album. Driven mostly by guitarist Nick Zinner’s palm muted chords and immense riffs, they are able to transform some of their earlier live staples into more polished and concentrated ballads.

Smellerific: So Much For Adventure

X Li  —  Sep 6, 2007

Ah, September is here. A new semester has begun and a new Polo fragrance has arrived.

The fragrance kicks off with a pleasant, bright and citrus opening (a small departure from its cousin, Polo Black). After the pleasurable top-notes, Explorer assumes amber and slightly woody tones. These middle-notes are identical to Polo Black’s except the leather note that is characteristic of Black is not nearly as overbearing here.

In addition, Explorer adds a subtle spicy note to the mix to create a less refined rendition of Black.

The base-notes of Explorer include a medley of Sandalwood, Patchouli and Tonka, which adds a bit of sweetness to this otherwise woody-aromatic scent. In the end, Explorer isn’t a bad fragrance.

Record Review: Architecture In Helsinki

Jared Kraminitz  —  Sep 6, 2007

Architecture In Helsinki is that rare music group that manages to escape traditional categorization. Even its name is misleading — the band is from Australia, not Finland. After a stellar In Case We Die, they’ve returned with Places Like This, a less cohesive but still entertaining record. Places Like This marks, if not a departure, then a diversion from their basic synthesized electro-pop sound, as the band branches out and incorporates new sounds into the mix. I admire their pluck in so doing, since this new sound is understandably less refined than the old. But to accommodate the new, some of the old must be sacrificed and among other sad omissions, the lack of their characteristic harmonizing and simple melodies lends the album a confused feel.

Record Review: Rilo Kiley

Jeff Connor  —  Sep 6, 2007

Jenny Lewis’ smart and sexy voice saves Rilo Kiley. Hearing the lead singer of the alternative band is something everybody should experience. If you have never had the pleasure, then I suggest you get to your computer and download as soon as you can. Or, you could do the old fashioned thing, and go out and buy their new CD. Under the Blacklight, their fourth full-length, is strikingly different from their previous efforts. The band claims that this is the first record they “worked on in a legitimate recording studio” — an L.A. studio where the Rolling Stones and Sheryl Crow have also recorded. Producer Jason Lader, who has previously worked with Gwen Stefani and Jay-Z, worked on the first four songs on this album.

These Things Matter: Desperately Seeking LeRoy

Justin Rosen  —  Sep 6, 2007

Wait, wait! Don’t turn the page. I know, yet another column about The Real World. When a new season starts, everybody always rushes to offer their analysis of the new cast and the various formulaic roles they fit into. But everyone knows all of that by now. There’s the token slut, the token man-whore and the token psychopath. It’s pretty simple stuff.

Record Review: Avett Brothers

Rebecca Weiss  —  Sep 6, 2007

When I put the Avett Brothers’ Emotionalism CD into my computer for iTunes to gobble up, the database in the system placed the band within the genre of country. Country?

Noses Up: The Two Sides of Snobbery

Maurice Chammah  —  Sep 6, 2007

My favorite part of “Umbrella” is when Rihanna insinuates a connection between expensive automobiles and her objectified lover as a submediant harmony rises to tonic. Her rhetoric is reminiscent of the Beatles’ “Can’t Buy Me Love,” but with a self-reflexively hip-hop musical aesthetic. Just kidding. My name is Maurice Chammah and I live two lives. They both revolve around my interest in making and talking about music, but couldn’t be more different in the ways they play out. By day and during the school year I take classes and study in the University’s department of music: home of composers, scholars and musicologists. By night, and in the summers, I play rock ’n roll in dingy bars, at noisy coffee shops and in friends’ garages.

Record Review: M.I.A.

Benj Gilman  —  Sep 6, 2007

Maya Arulpagasm is the nice Sri Lankan girl from next door.

Releasing a series of short videos on VBS.tv, Spike Jonze creates a surprisingly intimate portrait of the biggest little MC in the world. For six episodes, the squeaky voiced Jonze follows Maya as she trots around London town, visits various friends, gets her hair done and simply radiates star power — watching the woman is absolutely fascinating. Whether she is slouching in the back of her luxury escort or dancing around in her bedroom with a giant teddy bear in hand, the lady knows how to command the attention of everyone around her.

The Bias Cut

Martin Ambrose  —  Sep 6, 2007

Before walking down College Avenue, I usually have to take a deep breath and prepare myself for the abundance of girls that will be wearing leggings. Let me first admit that I happen to be a fan of the leggings look and its ability to turn a long top into a great outfit. However, I do think a great deal of leggings patrons on campus have been too busy doing their problem sets to read the fine print on the packaging. I am pretty sure that somewhere next to size and color on the package, there is a warning that when used improperly, disaster may strike. Just because leggings are trendy and easy to wear doesn’t mean that throwing them on makes you fashionable. A few thoughts before you throw on those glorified spandex.

Record Review: Rufus Wainwright

Rabia Muqadam  —  Sep 6, 2007

I hesitate to give anything a glowing review because I generally don’t put much stock in them. Although, sitting here, next to a tissue box, not entirely because of my outrageous allergies, I think I will give it a go.

The world of Rufus Wainwright has always been one of glamorous passion and classic celebrity, and frequently maudlin melodies. On Release the Stars, Wainwright’s new release, the glamour and sparkle have, at last, been met with clear emotional resonance.

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