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The Sun’s Top 10 Songs of 2016

In a great year for rap, hip-hop and emo, The Daily Sun’s Arts & Entertainment writers came together to name the 10 best songs of the year. 

10. “(Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem)” — Car Seat Headrest 

Steve Jobs once said that hallucinogens reveal another side to reality, but in “Joe Gets Kicked Out Of School” — written about an acid trip taken by Car Seat Headrest frontman Will Toledo — the revelations aren’t so pleasant. On acid, Toledo sees himself and his friends as “filthy people,” hedonistic pleasure-seekers with no meaning or purpose. Good thing the song is so fun. The band’s album, Teens of Denial, builds huge, operatic epics from the building blocks of indie rock, and “Joe” is a perfect example, a seven-minute journey that begins with Toledo strumming an acoustic guitar and develops into a foot-stomping breakdown.

COURTESY OF JOYFUL NOISE

Spinning Singles: Beyoncé, Yoni & Geti, Brian Eno

Yoni & Geti — “Wassup (Uh Huh)”
Every indie geek whose taste has ever skewed eclectic and depressive should consider it a true-blue blessing that Yoni Wolf (WHY?, Clouddead) and David Cohn aka Serengeti transformed their friendship into musical collaboration. True, Serengeti’s 2011 Family & Friends saw Wolf take the production reigns, and his influence could be heard on Serengeti tracks like “Goddamnit” that channel his kitsch-as-loneliness approach. A nagging feeling, however, remained that Serengeti and Wolf still hadn’t truly pushed their collaboration into exciting territory that maximized each wordsmith’s staggering potential. The time has come. The duo has a match-matchy name (Yoni & Geti), an album title (Testarossa) and a release date (May 6).

COURTESY OF MEDIUM

Spinning Singles: Beyoncé, “Formation”

People were shocked when Beyoncé dropped her new music video, “Formation,” the day before The Super Bowl. Since then, I have had so many discussions about this song with so many people. Some say it is entirely overrated, while others gush about how empowering it is. I fall somewhere in between. I love the fact that “Formation” is unapologetically black and makes references to black culture that are entirely missed by non-black audiences.