Kanye-Ye

GUEST ROOM | The Most Beautiful Thoughts are Always Besides the Darkest

Where should we, as listeners, mainstream media consumers and socially minded citizens, stand on Kanye West? It is a question that, in today’s world, flickers in our minds about as often as “what’s for dinner tonight?.”

With every concert hall rant, tweet and piece of Kardashian-related gossip, that spotlight has only grown brighter. Often, his career as an artist is only examined superficially, as if it is second to his worldwide image as an erratic pop star. This summer, following his support for Trump on twitter and preposterous statement that 400 years of slavery “sounds like a choice,” Kanye released his G.O.O.D. Music series consisting of five albums.

So where do these five albums fall on the stage of Kardashian gossip, tweets and rant? Is it fair to evaluate Kanye’s music without the context of his personality and erratic behavior?

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PINERO | Kanye West Never Cared About Black People

I unfollowed Kanye West after the first MAGA tweet. Without hesitation, I jumped on the bandwagon calling for his “cancellation.” I spent most of Tuesday looking like the white guy blinking meme as I watched Mr. West word-vomit all over Twitter and call four hundred years of chattel slavery “a choice” on TMZ. This column was going to be a scathing condemnation. Instead, my curiosity led me to watch ’Ye’s extended conversation with Charlamagne, also released on Tuesday. Over the course of a virtually uninterrupted 105-minute stream-of-consciousness, I came to see things differently.

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AHMAD | The Problem With Kanye West’s ‘Free Thinking’

Last week, many of us felt the harrowing effects of what can only be described as a national tragedy: the downfall of Kanye West. As someone who has loved Kanye’s music since sixth grade, viciously supported him through the ups and downs of his beef with Taylor Swift, praised the diversity of his (albeit insanely overpriced) fashion line and even forgave him for his completely nonsensical rant on Ellen, I was, to say the least, disappointed when I saw his Twitter tirade of painfully unrelenting support for Trump. I will admit that when I first read the Tweet That Started It All, I wasn’t immediately horrified or shocked. In fact, I chuckled at the unironic use of the phrase “dragon energy,” and I couldn’t really argue with Kanye’s claim that he “loves everyone.” I told myself that this was just another inflammatory statement tweeted out for favorites, tabloid headlines and “Kanye West is so crazy” reactions. Simply put, I assumed he just said it for attention.

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The Sun’s Top 10 Songs of 2016

In a great year for rap, hip-hop and emo, The Daily Sun’s Arts & Entertainment writers came together to name the 10 best songs of the year. 

10. “(Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem)” — Car Seat Headrest 

Steve Jobs once said that hallucinogens reveal another side to reality, but in “Joe Gets Kicked Out Of School” — written about an acid trip taken by Car Seat Headrest frontman Will Toledo — the revelations aren’t so pleasant. On acid, Toledo sees himself and his friends as “filthy people,” hedonistic pleasure-seekers with no meaning or purpose. Good thing the song is so fun. The band’s album, Teens of Denial, builds huge, operatic epics from the building blocks of indie rock, and “Joe” is a perfect example, a seven-minute journey that begins with Toledo strumming an acoustic guitar and develops into a foot-stomping breakdown.

Kanye West performing in Indianapolis on August 25.

Kanye West’s Buffalo Dystopia

8:12 p.m.: We arrive in Buffalo. Jack bought a pass online that lets us park in a clearing under a bridge. A sign bolted to a cement support lists the rates — $75 daily maximum. It’s dark and we’re in a half-awake state from driving on Western New York backroads into fading light. 8:19 p.m.: We walk to the First Niagara Center.

COURTESY OF EPITAPH RECORDS

Joyce Manor — “Fake I.D.”

Before getting to “Fake I.D.,” let’s lay down some background on Joyce Manor. The California four-piece works in a grey area between emo and punk. Their lyrics skew far more often towards crypticness than the melodrama in their emo and pop-punk contemporaries’ work. Their songs are complicated, throbbing with raw energy and short: their four LPs all clock in at fewer than 20 minutes. The band’s 2011 self-titled debut posed a commitment to bile and pettiness that continued throughout their later releases.

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JONES | My Inevitable Column: Bobby D and Yeezy

“This is Jack Jones. He’s one of our Arts writers and he only writes about Bob Dylan and Kanye.”

This is how a certain previous Arts editor and close friend generally introduces me to new people. Before I go ahead and give support to this claim, I’d like to point out that I’ve only written one review of each artist’s work: my first piece for the Daily Sun was a review of Bob Dylan’s mediocre album of Sinatra covers Shadows in the Night, and my longest piece ever was a review of Kanye West’s The Life of Pablo. I’ve never used my column to focus on either of these figures, their music or what they mean to me. Doesn’t matter.

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O’BRIEN | Kim Kardashian West: A Feminist Hero?

Last week, the Internet exploded after Kim Kardashian West posted a (censored) nude selfie taken in a bathroom mirror, captioned “When you’re like I have nothing to wear LOL.” Kim Kardashian West has of course appeared nude or semi-nude in plenty of platforms before. But I guess something about it being a bathroom selfie, rather than an airbrushed and well-lit magazine photo, sparked such an intense reaction. What followed was a fascinating study in the policing of women’s bodies, with moral-panic-over-female-nudity and slut-shaming abound. Besides the average run-of-the-mill Twitter outrage, the post sparked some reactions from celebrities that mostly got attention because Kim took the time to respond to them (hilariously). Piers Morgan wrote, “I know the old man’s $50 million in debt, Kim — but this is absurd.

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SOSNICK | ‘I Love Kanye’: Reviewing The Life of Pablo Reviews

It seems like it’s impossible to browse the Internet without reading something new about Kanye West. Whether it’s about Kanye’s reluctance to release his music for normal sale, the extent to which he’s a Cosby apologist, his extravagant Madison Square Garden show driven by tunes pumped through a simple aux cord or pleas for billionaires to drop their current philanthropic projects in order to fund his creative muses, nearly every website, news outlet and social media platform is scrambling to get a piece of the Kanye pie. (Clearly The Sun is no exception.) In this shitstorm of hype and speculation, it’s easy to forget that the at the hurricane’s eye is a landmark album, The Life of Pablo. Naturally, The Life of Pablo was quite divisive, with it being alternately hailed as another revolutionary record from Mr. West and decried as a self-absorbed, misogynist debacle. Realistically, it’s both of these things and everything in between.