Pollack: A Martha Story is Going to Change Cinema Forever

Last week at the Cans film festival, thousands of lucky fans, critics and members of the film community were treated to a sold out premiere screening of the much anticipated new movie, Pollack: A Martha Story. Reuniting Martin Scorsese as director and Paul Schraeder as writer, Pollack stars character actress Margot Martindale as Cornell’s very own beloved president, following her through the early years of her life. It opens from humble beginnings, with Martha only a student at Dartmouth — one of the worst schools in the Ivy League — and follows her as she works her way up to become a graduate student at a marginally better Ivy League school. It charts serious setbacks (serving as an administrator at a public university) and brilliant accomplishments, such as working in the field of AI a mere decade before it actually got exciting. Scorsese films each titillating scene with his trademark flourishes, and presents the hallowed halls of academia in the same manner that he’s previously captured the Mafia, Wall Street Criminals and Gilded Age politicians. 

Of course, every biopic is only as good as its central romance, and Pollack is no exception, featuring a brilliant turn from Tilda Swinton as Vice President Ryan Lombardi.

On Trigger Warnings and Watching Movies

Asking someone to watch a film that taps into that trauma, in the hope that the difficult material will recontextualize the way they see their experience, risks just as much that it’ll set them back in grappling with said experience.