Barbara Maria Stafford, a professor of Art History at the University of Chicago, has been instrumental in bridging ideas from the sciences and social thought into the humanities: Her work focuses on how neuroscience and other recent developments in cognitive theory can help explain the unique visual knowledge we gain through artworks. Such is her far-ranging, trans-disciplinary appeal that she attracted an audience of students and scholars from fields as diverse as fine arts, literature, political science, philosophy and biology to her lecture in Goldwin Smith’s Lewis Auditorium yesterday entitled Slow Looking, co-sponsored by the departments of art history, architecture, art, urban and regional planning and chemical biology.
