Young and Reckless: Young Thug Fails to Impress at Barton

Young Thug might be notorious for his unique style of incoherent rapping, but he certainly falls flat as a performer. Over 3,300 people came out to Sunday night’s show at Barton Hall expecting a hype concert from the rapper. Slightly disappointed from the Urban Outfitters artist selections for this year’s Slope Day, Young Thug’s arrival was highly anticipated by many Cornell students who hoped to turn prelim season into Slime Season. Young Thug’s eccentric personality certainly produced some moments of humor amongst the group of Ivy League students. As a cannabis enthusiast, Thugger entertained the crowd with questions like “how many of y’all smoke weed?” His styrofoam cup posse served as his background dancers throughout the show as Thugger performed smoker anthems like “Hookah” and “Stoner.”

Spinning Singles: DMX, Nick Jonas


“Moe Wings ft. Big Moeses and Joe Young” — DMX

Despite almost dying in February, DMX came back in March with “Moe Wings,” his first single in almost three years. The track finds X continuing his career-long tradition of sounding like an enraged pit bull, gnashing its teeth and growling at you from behind some sorry-ass chain-link fence. Rapping over a low-chord string arrangement and crashing drum-kit beat, he spends the first verse bringing down other rappers by asserting his masculinity over theirs, and the chorus declaring himself to be “hot like moe wings.” Such belligerence is certainly what gives DMX his appeal, but as he gets older, his bark makes him sound more and more like an angry old man yelling at you to get off of his lawn. Nevertheless, “Moe Wings” has vital signs.


A new Rihanna emerges with ANTI. A black ­and ­white childhood image of the singer makes its appearance on the album cover, both striking and mysterious. This is not the first time we have seen a hip hop artist use a childhood portrait for their album art: Nas’ Illmatic and Notorious B.I.G.’s Ready to Die are iconic album covers that also engage with the symbolism of a young child. However, ANTI’s album art distinguishes itself from what any other artist has done in the past. In collaboration with Israeli artist Roy Nachum and poet Chloe Mitchell, Rihanna co-wrote a poem called “If They Let Us” and translated it into Braille.