The success of The Killers’ new album Day & Age largely depends on which of their other CDs listeners prefer. Those seeking a repeat of the band’s first hit album, Hot Fuss, will be disappointed, while those who favor their sophomore album, Sam’ s Town, may be more receptive to the band’s evolving sound.
Three years after the British punk rock band The Subways delivered their debut album, Young for Eternity, the trio returns with their sophomore album, All or Nothing. Less than 40 minutes in length and with songs averaging three minutes, it is short, sweet and largely nondescript. While songs like their single “Shake! Shake!” or the title track are catchy enough for the melodies to stick in your head, the lyrics are largely shallow and fail to express real emotion. One energetic, guitar-driven song blends seamlessly into the next, a flow that is slowed only by the sweet “Move to Newlyn” and the ballad “Strawberry Blonde.” All or Nothing actually falls somewhere in between: it’s good enough to play in the background, but doesn’t hold your attention for long.