On Nov. 16, Young the Giant released its fifth studio album and biggest project yet: American Bollywood. The album is split into four acts led by frontman Sameer Gadhia, who takes us through an epic conglomerate of universal human truths guided by Indian mythology
Blink-182 fans rejoice! There’s a phrase not a lot of people born this side of 1990 have ever heard. For those of you who didn’t come of age in the early 2000s, or have a love of pop punk like I do, let me give you a refresher on who I’m talking about. The California-based band was founded in 1992, but they didn’t find commercial success until their album released at the end of the millennium, titled, Enema of the State, which features classics such as “All the Small Things,” “What’s My Age Again” and “ Adam’s Song.” These are all great songs that I highly recommend.
Lead guitarist/vocalist and band co-founder Tom DeLonge has a habit of leaving and coming back to the band over the years. The last time that he left the band was back in 2015, but within the past few weeks, the band announced in hilarious fashion that DeLonge had rejoined the band and that they would be going on tour together next year.
Kaminsky is now a singer-songwriter, as well as a third-year law student at Cornell University. While his eighth-grade band didn’t stand the test of time, he’s released two solo songs since the beginning of his undergraduate career.
It feels more pertinent now than ever to examine the band’s last brush with collapse – “iridescence,” their oft-forgotten refusal to be put in the ground.
The first video, created for lead single “Anti-Hero,” is a delightful, self-referential video full of Swift’s trademark “Easter eggs.” It also offers an honest glimpse into her insecurities, which she has been vocal about sharing.
Taylor Swift is sick of reinventing herself. Her 10th studio album, Midnights, signifies her return to pop, but with a wine-stained, eleventh-hour clarity in both production and lyricism
In her first full length album, The Hardest Part, Cyrus tells the story of her struggles, which include addiction, substance abuse and breaking and reforming her relationships with her family and significant others.
The Canadian rapper-singer made an intriguing pivot to house-influenced music for the sound of his seventh studio album, but his watered-down take on the genre leaves so much to be desired.
Only 20 years old in December 1969, the Lyceum Ballroom concert marked White’s second performance with the Plastic Ono Band. Before that, he and the rest of the group had performed three months before at the Toronto Rock ‘n’ Roll Revival Festival and played the same songs they would play at the Lyceum, albeit with shorter runtimes; intriguingly, his participation almost did not occur when, sure that a call from John Lennon asking him to perform with a new group must be a prank, he immediately hung up.