Arts & Entertainment
TEST SPIN | ‘Come Over When You’re Sober, Part 2’ — Lil Peep
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He owns the simplicity and sadness in a way that isn’t pretentious or cringe worthy.
Arts & Entertainment
TEST SPIN | ‘FM!’ — Vince Staples
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‘FM!’ is anticipated to be followed up by a full length project in the coming months.
Arts & Entertainment
TEST SPIN | St. Vincent — MassEducation
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St. Vincent’s reimagining of her 2017 album cements her as one of music’s most multifaceted and capable artists.
6lack
TEST SPIN | 6LACK – East Atlanta Love Letter
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East Atlanta Love Letter is exactly what it’s called — a letter. Not an email, text or DM. 6LACK’s sophomore album works to escape from what he deems love has become. He brings us back some decades, even inviting fans to an authentic drive-thru album release event. In this new project, which he tells took over two years to complete, 6LACK steps away from the kind of subject matter that we find in mainstream rap.
Arts & Entertainment
TEST SPIN | Machine Gun Kelly – BINGE
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In the midst of a beef with the best-selling rapper of all time, Cleveland native Machine Gun Kelly figured now would be the opportune moment to release a nine-track EP, entitled BINGE. He should have taken some more time. The project, a jumbled mess of clunky lines and off-beat rapping, is riddled with excessive drug glorification and braggadocious verses that come off more cringey than cool. If Kelly wanted to take advantage of his momentary popularity, this was not the way to do it. Machine Gun Kelly cites Eminem as an influence for his music, and any big fan wants his idol to recognize him.
Arts & Entertainment
TEST SPIN | Noname – Room 25
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Hailing from the same Chicago music scene as other prominent artists such as Chance the Rapper, Vic Mensa and Saba, Noname shines with an album that may be the best of all. Initially known for her verses on Chance the Rapper’s Acid Rap and her own mixtape Telefone, which has gained a cult following, Room 25 shows Noname cementing her name among some of the best lyricists in rap music today. “Y’all really thought a bitch couldn’t rap, huh?” Noname spits on “Self,” the opening track for the album, before reminding us that she’s at the top of her game. Tracks like “Montego Bae” hammer this point home as she flows with a cadence that seems to duel the drum beat of her track. Even more unique than her flow throughout the album is her ability to craft narratives.
Arts & Entertainment
TEST SPIN | Paul McCartney – Egypt Station
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Sir Paul McCartney is one of the most greatest musicians of all time. From his Beatles years to his successful Wings albums and James Bond theme songs, his music choices have almost always been varied and bold. In recent years, however, McCartney’s albums have not carried the same interest and uniqueness as some of his earlier solo work, and not even close to that of his Beatles hits. His new album, Egypt Station, released earlier this month, is filled with delightful songs, many of which flow with a sense of familiarity as keen listeners can hear similarities that fall somewhere between Beatles’ hits and McCartney’s early solo discography. On Egypt Station, when the standout songs work, it is amazing — McCartney highlights his skills as both a descriptive lyricist who allows audiences an intimate look into his life, and as a one of a kind musician able to blend genres and instruments with ease.
Arts & Entertainment
TEST SPIN | Anna Calvi — Hunter
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Anna Calvi’s career as a songwriter began with the release of her eponymous debut album in 2011. Garnering nominations for both the Mercury Prize and the British Breakthrough Act at the Brit Awards in 2012, Calvi quickly gained recognition for her reverb-drenched guitar riffs and drifting vocal runs. Her euphoric sound feels quintessentially Brit-punk, yet her illusory vocal inflection feels oddly operatic. Before any success as a songwriter and virtuosic guitarist, Calvi was a classically trained violinist and didn’t begin singing until her mid-twenties. Throughout her latest album, Hunter, baroque vocal harmony and ambient guitar riffs are masterfully integrated to create a space that feels more like a dreamscape than a compilation of songs.
Arts & Entertainment
TEST SPIN | Mitski — Be the Cowboy
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It’s been two years since Mitski graced us with Puberty 2, a deep, thoughtful and powerful album that was so mesmerizing words will never do it justice. The Japanese-American artist has grown increasingly louder over the years, and now with her newest album, Be the Cowboy, she is louder than ever, making listeners feel emotions they didn’t know they were capable of. In the past, Mitski has consistently kept a rather slow, mostly acoustic and melancholic sound (save for the few bursts of lyrical and emotional impacts, i.e. the chorus in “Your Best American Girl”). In addition to keeping a consistent sound, Mitski keeps her lyrical style the same: emotional, deeply sad and lonesome lyrics that very often hit home and have listeners in tears just one song into her albums.
Mitski has never been scared to bare it all and be vulnerable, because it’s human. Women are too often told that being powerful and independent means that we have to meet certain superhuman expectations, such as immunity to negative emotions and heartbreak, as well as coldheartedness, all while being sexy.
Arts & Entertainment
TEST SPIN | ASTROWORLD
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“The biggest knock against Travis [Scott] early in his career (and today) was his tendency to be an expert cipher, but rarely innovator. Besides his help behind the boards on 2013’s landmark Yeezus, Scott seldom introduced music that didn’t sound indebted to his own influences,” writes Charles Holmes in a recent Rolling Stone article preceding the release of ASTROWORLD. Reading this, as a Scott fan, initially irked me. However, as I kept reading, I realized Holmes was entirely correct in his analysis of Scott’s career. Scott undoubtedly has the best live performance currently in music.