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QUE | Support Experimental Cinema

My experience may explain why experimental filmmakers have to work with low budget and under other sub-optimal conditions — you simply don’t get much support anywhere, financial or otherwise.

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BONO | Starting Over

I think returning to Ithaca when it’s once again safe to do so, as an alum of the school, will feel the same as loading that old New Leaf save file — like I’m living a life that’s no longer mine.

Lucy Kay Plowe, “Exile,” 66x80,” oil and oil pastel on canvas.

GUEST ROOM | Artists in Exile

I was part of an eclectic group of 28 talented, diverse, intelligent artists, all with different interests, passions and ways of art-making in response to the world to which we all belong.