In “Noises Off,” the Farce is On

On Friday, Nov 5th, 2021, Cornell’s student-run Cog Dog Theatre Troupe debuted their rendition of the play Noises Off in the Risley Theatre on North Campus. Originally published in 1982 by British playwright Michael Frayn, the storyline follows the model of a play-within-a-play, wherein the actors involved are playing characters who are actors themselves as they attempt to put on their own production titled Nothing On. 

‘Reach for the Sky’ is a Vulnerable Portrait of Self-Acceptance

Writer and director Cole Romero ’22 devised this original immersive story out of a desire to create something fresh and relatable, as well as to see whether they could manifest a vision of themself on stage. In an interview, they explained how it made sense that, as a nonbinary creator, their play should be about a nonbinary protagonist.

“I Don’t Do Drugs, I Am Drugs” at the Kava Lounge and Tea Bar’s Immersive Visionary Art Exhibitions

This space is part fantastical apothecary and part dive bar.  Every wall is vetted in new, local Ithacan artwork that rotates on a monthly basis. And the owners, a husband and wife duo, use intuition, attention to aesthetic cohesiveness and above all an adherence to their central ethos of connection, communion and creativity to guide their curatorial decisions. 

SPOTLIGHT | Sabrina Haertig

“Es Lo Que Tenemos” was a powerful experience, intertwining social issues like immigration with a reckoning of her cultural identities as a Dominican and German woman.

Questioning Power: An Interview with Gloria Oladipo ’21

Gloria Oladipo ’21: “I think people should care about The Good Victim because I would hope that people are interested in diving into these questions of sexual assault and sexual violence, especially on a campus like our own. I think that people should show up to support a majority Black cast, and an all-Black creative team. I think that people should want to engage in art that’s challenging.”