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Looking Past War: Understanding Israel Through Music

There is a very small chance that you are not aware of the crisis currently unfolding in Israel. Pictures of destruction fill our screens, and headlines continue to announce death tolls and count the missing. Many members of the Cornell community attended a memorial held by Cornell Hillel on October 11, and President Pollack has sent two emails about these events.  

Unfortunately, the news often has a dehumanizing effect — instead of being thought of as real people, the dead and missing are reduced to numbers, and a country becomes only its actions. Sides arise, and issues become polarized; many forget that these are real people and real lives being destroyed, not simply pawns in a political game. The lack of understanding and empathy for Israel is nothing new.

FATTAL | On Israel, Direction of Anger and Liberation

TW: Genocide, Anti-semitism, Islamaphobia, Sexual Violence

Getting on the bus for a weekend out-of-town on Thursday, I was already thinking about Israel. I’d stumbled upon a Jacobin article about Ken Loach (the socialist filmmaker who comes up a lot in English-speaking Europe) defending the director against longstanding claims of antisemitism as he releases his final film. I’d only seen one Loach film, and can’t speak too deeply about him, though his subjects and labor focus are to me unambiguously commendable. As for the anti-semitism, I remained unconvinced by the specific allegations refuted either in the Jacobin article or in my due diligence “both sides” readings of his accusers. I watched The Old Oak yesterday.