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Reviews

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<strong>Beach House’s <em>Become </em>Puts You in a Little World of Your Own </strong>

By Rachel Cannata · Monday, May 8, 2023

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<strong>Rowan Drake Talks Ithaca Roots and Upcoming EP</strong>

By Kiki Plowe · Monday, May 8, 2023

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CHARI | The Concert Experience and the Value of Anticipation

By Ayesha Chari · Monday, May 1, 2023

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John Mulaney is Funny, Still

By Max Fattal · Monday, May 1, 2023

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'Cocaine Bear': Exactly What it Sounds Like

By Raphael Mazhandu · Thursday, April 27, 2023

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A Gospel for Changing Joyfully: Hozier's 'Eat Your Young' EP

By Charlee Mandy · Wednesday, April 26, 2023

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'Ride Lonesome' at the Cornell Cinema

By Max Fattal · Thursday, April 20, 2023

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The Un-Understandability of 'Last Year at Marienbad'

By Rachel Cannata · Wednesday, April 19, 2023

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Smitten by Joji's "Smithereens"

By Nika Makoviak · Monday, April 17, 2023

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Missing the Beat: A Review of the Mini Series <em>Daisy Jones and the Six</em>

By Freya Nangle · Wednesday, April 12, 2023

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"The Super Mario Bros. Movie " - Lets-a-Go

By Brian Lu · Monday, April 10, 2023

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Finding Beauty in the Wreckage: A Review of 'Pleasant Destruction'

By Tom Sandford and Emily Pugh · Saturday, April 8, 2023

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XU | Broadway’s Fat Ham is a Twist on Shakespeare, But it’s Also Much More

By Skylar Xu · Thursday, March 30, 2023

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Locally Grown Dance Takes a Bold Leap

By Emily Pugh · Monday, March 27, 2023

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Below Ocean Blvd and into the Mind: Del Rey Guides Us Through Her World on Latest Album

By Jackson Feldman · Monday, March 27, 2023

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<strong>Slowthai’s ‘UGLY’ Is Anything But</strong>

By Arts & Entertainment Department · Wednesday, March 22, 2023

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"Atomic Heart" — Unpolished, But Still A Gem

By Brian Lu · Monday, March 20, 2023

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'Everything Everywhere' at the Oscars

By Max Fattal · Thursday, March 16, 2023

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Morgan Wallen Returns to the Top of the Country Industry

By Ili Pecullan · Monday, March 13, 2023

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Oscars 2023: The Best of (most of) the Rest

By Max Fattal · Thursday, March 9, 2023

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