Who Would Win a Hypothetical Best Scene Oscar?

The Oscars: an award show that expanded the number of Best Picture nominees after it snubbed a well-made, entertaining action movie, and yet still refuses to nominate well-made, entertaining action movies. I understand The Academy’s struggle, though. There are a lot of great films each year that simply need to get nominated, such as… The Flashily-Directed Movie About Actors Pursuing Their Dreams (La La Land)

The Uplifting Movie About Black People (Hidden Figures)

The Nuanced Movie About Black People (Moonlight)

The Movie That’s Not Nearly Pretentious Enough To Even Have A Chance (Hell or High Water)

The Movie About Everyday White People Wallowing In Their Own Despair (Manchester By The Sea)

The Movie Nobody Has Heard Of And Even Fewer People Have Actually Seen (Lion)

The Acting Showcase (Fences)

The War Movie (Hacksaw Ridge)

The Beautiful, Thought-Provoking Movie About Giant Squids Spraying Ink At The Actress From Enchanted Inside a 1000-Foot-Tall Hovering Black Potato (Arrival)

 

The Oscars could use a shake-up. At this time last year, I wrote an article introducing a hypothetical Oscar for Best Scene, which would allow The Academy to nominate movies that don’t exactly fit the Best Picture mold, but still have entertaining, technically impressive or inspired sequences.

The Sun’s Top 10 Movies of 2016

From documentaries to animated flicks to art films to crime thrillers, the Arts & Entertainment writers’ picks for the year’s top films reflect the diversity of excellent movies this year. 10. Weiner 

Josh Kriegman and Elyse Steinberg easily could have made a documentary that simply condemned former Representative Anthony Weiner. Yet, Weiner begins on a high note: the Anthony Weiner who appears at the beginning of the documentary is rejuvenated, remorseful about his sexting scandals and ready to fight in New York City’s mayoral race. The positive image doesn’t last long as Weiner, once again, descends into lying and defensiveness as more sexting allegations surface. Kriegman and Steinberg expertly elevate Weiner from an entertaining to a thoroughly thought-provoking movie by catching the moments when Weiner and the people around him reflect on his self-destruction.

Three Takes on Arrival

“What happens now?”

“They arrive.”

by Elyes Benatar

Arrival. The title itself echoes as a strike against convention. This is not a film about aliens invading. It’s a film about aliens arriving. It’s a film that presents a realistic narrative about humanity’s attempts at contact and interaction with extraterrestrial beings.