Arts & Culture

The Oscar Nominees: The Ones I Liked*

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I may have aged another year, but I remain in the same state of arrested development that holds dear a decade-long obsession with the Academy Awards. This year, at least, has been an uncharacteristically good year for the kind of prestige awards fodder that ends up nominated, and though (as always) I didn’t like everything, I found a lot of really enjoyable bits in almost all the best picture nominees, even the bad ones. I’ve already reviewed Killers of the Flower Moon, The Zone of Interest and Barbie/Oppenheimer for The Sun (not to mention the excellent reviews of the last two from other Staff Writers), but there are six more Best Picture nominees that are worth talking about. Although the distinction is arbitrary, I’ve split them into two articles, one covering the ones I liked (or reservedly recommend) and another the ones I liked less (or think might merit a skip). Without further ado, here are the ones I liked: 

American Fiction 

Cord Jefferson’s American Fiction, adapted from the 2001 novel Erasure, attempts to simultaneously satire the current state of Black literature and backdoor a compelling family drama in the space of two hours.

Arts & Culture

Modern Film Flaws: Feminism is Not One Size Fits All

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Feminism: Misunderstood, misused and undeniably important. Feminism is, as defined by the Merriam-Webster Dictionary, the “belief in and advocacy of the political, economic, and social equality of the sexes expressed especially through organized activity on behalf of women’s rights and interests.” And, despite centuries of effort, somehow the sexes are still not treated equally and feminism is still very much needed. While it may not be a revolutionary idea that sexism still exists in the world, it somehow always shocks me when the continued discrepancy between genders is publicly revealed, for instance, through films. Recent films and media have pulled this continuing sexism into the spotlight, and they have also brought attention to another issue: The misuse of feminism. Recently, people have been taking things too far, using feminism to turn beautiful concepts into things that are considered “bad” or “weak.” I think the continuation of these tropes would be incredibly dangerous for the next generation of young women. First, let us look at the recent Barbie Oscar snub, where Greta Gerwig, who created one of the most talked about and critically acclaimed movies of the year, was left out of the Best Directors Category, and Margot Robbie, the star and a critical producer of the film, was left out of Best Actress.

Arts & Culture

Hater Tuesday: “Barbie” Was Bad

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“Barbie” was certainly not the groundbreaking feminist film that everyone had said it was. In fact, I found it deeply misogynistic for several reasons, and it was discomfiting for me to see it being lauded as a masterpiece when it so clearly perpetuated many of the most harmful mindsets that modern day women are forced to overcome.

Arts & Culture

British “Paw Patrol” Review

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On the first or second night of staying with some family in England, a young second cousin twice removed (or something of that sort) asked me to name a movie… one she’d know of. I responded: “Barbie.” After asking me if I’d seen or liked the film (I’d apparently picked one that had been on her mind), she got to her question: “so, when they show… Barbie in your country do they have to have the actors re-record some of the lines?”, alluding to the fact that some of the actors don’t naturally speak English with an American accent. I chuckled a bit and responded, “No. Actually, I think part of the movie takes place where I’m from,” pointing out that some of the non-Barbieland scenes in the film were shot blocks away from my childhood home. It remained funny to me, though, that my accent (or something about me) had been silly enough that my cousin believed I couldn’t possibly be engaged in the same cultural ecosystem as her (even in the case of a movie where numerous British and Australian actors were putting on American accents). 

A week or so later, I relayed the story to my partner.

Arts & Culture

Notes on a Summer Movie Season

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After a long and cold two semesters in Ithaca, where the closest non-arthouse theater is a semi-abandoned mall Regal that always felt just a couple bus stops too far away, I arrived home ready, more than anything else, for the summer movie season. And from the vantage point of a return to campus life (albeit a non-Ithaca campus due to study abroad), the season and its hits didn’t disappoint. Granted, I skipped the digitally de-aged grotesqueries of the new Indiana Jones and the child-purchasing sting operation grotesqueries of Sound of Freedom, but I still managed to keep a weekly AMC Lincoln Square appointment and enjoy more than my fair share of blockbusters. And so, here goes my flash thoughts on a whole host of summer releases: 

Asteroid City

For many film fans, myself included, Wes Anderson is how we learned about auterism: The man whose visual, narrative and comedic stamp is so distinctive that it’s impossible not to feel his hands on every single frame. Thus, it becomes a bit funny when, as has been happening recently, Anderson turns his eyes to the artifice and the authorship within his films. The Grand Budapest Hotel contained within its nesting doll structure a story of an author with writer’s block hearing a true story, and The French Dispatch framed its sequences around long-form magazine pieces, each written by characters whose relationships to the story became clear as the sequence went on.