Hairstyles like “white or Asian people with dreadlocks or box braids, at a time when Black people wearing those styles will have them kicked out of school or fired from their jobs. Some academics talk about this as loving Black culture, but not Black people,” Rooks said.
At home, everyone has their go-to hair stylist, barber, manicurist, etc. Yet, when students come to Cornell, they lose their favorite hometown beauty specialists, and have to find new people. That is where self-taught, enterprising students like Alayna Earl ’23 come in. “Three years ago I watched a YouTube video on [eyebrow] threading,” said Earl. “I would practice on my friends and sometimes they would give me money.
In somewhat heartwarming, somewhat disturbing news, a “super hot tea-seller” has gone viral in Pakistan — not for his flavorful chai, but for his dreamy blue eyes, fair skin, angular cheekbones, strong-but-not-too-strong brows, bushy black hair, firm jawline…*ahem* — because he’s a good-looking guy. Sure, beauty is in the eye of the beholder, but I’m talking about the kind of beauty that transcends personal preference and pays no homage to taste. The dangerous kind. The kind that earns you a modeling contract when, just days ago, you were supporting your seventeen siblings with a monthly income of less than $90. This eighteen-year-old Pashtun boy, Arshad Khan, now signed to model for a clothing line, embodies the rags-to-riches storyline in a grand way, but what does this mean for the brown-eyed population living in abject poverty?
Thick brows are the new trend and I bet you’re wondering how to obtain them. People have become obsessed with filling in their brows to get a sharper, more defined look. Queen Kylie Jenner often rocks this gorgeous trend along with her notably full lips coated with a layer of nude lipstick that really pops against her golden, bronze skin. It’s something we’re all dying to have and I’m here to tell you the simplest way to have these features: being born with them! This method is quick and easy; you only have to do it once for a lifetime guarantee of beauty!
New York-based nonprofit The Moth treated Ithacans to a Saturday evening of true stories told live, and I was lucky enough to be there, sitting in the orchestra section of The State Theater. As a long time listener to The Moth’s highly subscribed-to podcast and someone who has therefore been informed innumerable times during the podcast’s opening that “since its launch in 1997, The Moth has presented thousands of stories, told live and without notes, to standing-room-only crowds worldwide,” it felt great to finally be seeing the spectacle in person. Given the intimate nature of The Moth’s platform, it is not uncommon for stories to inspire tears at one moment and laughter in the next, from tellers and listeners alike. The Moth never fails to keep its audience engrossed from start to finish, and Saturday night’s event was no exception. Storytellers spoke of experiences ranging from the relatable (being a child and constructing something marvelous in your backyard) to the totally unexpected (being a punk-rocker, and having your heart melted while serving jury duty).
One would expect a foreign film like Theeb to provide the audience with some sort of historical backdrop in order to contextualize a niche storyline. However, besides the minimal information that we are now in 1913 Jordan, not much else is given to Theeb’s viewers, who are immediately afterwards thrown into a jarringly different geo-historical perspective limited through the eyes of a child. Viewers quickly learn this child is the titular character Theeb who lives away from sedentary civilization. Historically keen viewers can surmise (or avid Googlers can verify) that Theeb belongs to a nomadic group of people called Bedouins. The intrinsic vagrant nature of Theeb’s life coupled with his naïve youth parallel our limited contextual understanding of the setting of the film.