The 2018 Midterm was serious business. Cornell has been a roaring fire of political intensity for the last two weeks. Opinion columnists (I’m sure you can guess the specific ones) have been yelling all night. More of my friends voted than I thought possible, although some Cornellians — either disillusioned with the political process (fine, but a weak excuse) or simply disinterested (c’mon) — never filled out a ballot. Although we probably won’t get a true break from electioneering until after the 2020 race, I’ll be content with clearing my inbox of daily asks for campaign donations and “shockingly new analysis” from pollsters and Nate Silver himself.
Some cities are notable for towering skyscrapers, others for offbeat museums or bucolic beauty. But to Tom Reed (R-N.Y.), who represents New York’s 23rd congressional district (including Cornell), Ithaca represents little more than a bastion of lefty extremism. And likewise, Tracy Mitrano, who lost to Reed in yesterday’s midterm election, is little more than an Ithaca outgrowth. In expressing this view, Reed does not pull punches. Look no further than his own campaign ads.
A petition with nearly 400 signatories demanding Cornell and other universities to make public “all internally written admissions policies and data about legacy treatment” will be “hand-delivered” to President Martha E. Pollack next week.
A student is bringing the Hate Has No Home Here Project to Cornell from her North Park neighborhood in Chicago, seeking to fight back after several racially charged incidents on campus and in the surrounding areas.
Graphic design has always eeked its way into presidential campaigns. Many remember the famous analysis of the Bush/Cheney and Kerry/Edwards logos which analyzed everything from the choice of fonts (obnoxiously bolded sans serif vs. light highbrow serif) to the placement of the flags (firmly anchored vs. flying off the page). All this seemed to confirm Bush’s brawny, strength-obsessed politics, versus the perception of Kerry as an elite weakling.