| September 7, 2009
Last year I wrote a rave review for Terrance Brennan’s
Picholine. This year, I herald my return by visiting another of his Manhattan restaurants, Artisanal. It is designed to look like an authentic French bistro, complete with weaved chairs, cushioned booths, black and white tile floors, and high ceilings. In appearance it reminded me of Café Luxembourg (a bistro near where I live) and L’Express (a favorite of mine in Montreal). However, Artisanal differs in a way as would be suggested by its name. Artisanal generally means traditional and small scale and the restaurant holds an astonishing array of artisanal meats and cheeses, many of which are aged next to the diners.
| September 4, 2009
This summer marked the 40th anniversary of the Woodstock Music and Art Fair, considered a pinnacle event in American popular culture and the latter half of the 20th century. The festival was billed as three days of peace and music, and featured numerous musical groups from Jefferson Airplane and The Who to Jimi Hendrix, CCR and Sly and the Family Stone, all of whom — amidst rain and upstate New York’s humid summer weather — played to 500,000 people on a 600 acre field. No concert like it had ever been attempted, and the name Woodstock to this day is synonymous with the 1960s, hippies and the Flower Generation, as well as a lofty bar for live music events and culture-changing phenomena involving massive numbers of young people.
| September 4, 2009 Draft Report From Ad Hoc Committee for Academic Planning
| September 3, 2009
At first listen, the hot-off-the-press new album by Municipal Waste is same old, same old. The band knows their ’80s crossover revival is a huge hit with modern fans of hardcore punk mixed with thrash metal at intensely high speeds for insanely short song lengths. Crossover is a dying art, and the Waste deliver their hardest to keep it alive. Listening to them is like shot-gunning a two-liter of Monster Java through the nose.
| September 2, 2009
Finding multi-talented individuals at Cornell may seem like an easy feat, but the kind of musical talent and finesse that characterizes Juliana Richer Daily ’10 comes as a quite a surprise. A jack of all trades, Juliana spends her time either in the studio working on various design projects prescribed by her design and environmental analysis major, hanging out at her sorority, playing lacrosse, taking photos for the yearbook or writing and performing songs on her guitar. These songs have found their way onto YouTube at Juliana’s personal site (www.youtube.com/julianaeveryday) and found fans both here in Ithaca as well as across the country. These songs have also been and continue to be performed regularly at The Nines’ open mic night on Sundays.
| September 2, 2009
The OS War between Microsoft and Apple has been going on since the release of the Macintosh in 1984.
As we approach closer to present day, the release of
Mac OS X in 2001 completely changed the playing field. 2009 is looking to be a turning point for both operating systems with Microsoft slated to release Windows 7 in October and Apple releasing OS X Snow Leopard on August 30. Both systems boast better performances, and seeing as I’ve already turned my skeptical eye to Windows 7 in a previous blog, I feel that it’s Apple’s turn on the chopping block.
| September 2, 2009
With smoke dominating the sky, lifeless bodies scattered about, and terrified people fleeing a massive heap of rumble, America will never forget one of the most destructive attacks on our country. The Oklahoma City bombing of a fully occupied federal building took the lives of 168 Americans, making it the deadliest case of domestic terrorism. This was indicative of the ever-growing power of the militia movement – groups of militants set out to end what they saw as an unjust government. After several years of growth in the 1990s, the militias began losing power and for the past decade they have nearly disappeared. However, they are returning and with greater strength than ever.
| September 1, 2009
The artists of the Bloomsbury circle were at once radical and conservative, intellectually adventurous and promiscuously imitative. The group centered around the writers and thinkers Virginia Woolf, John Maynard Keynes and Lytton Strachey, who dominated English high society around the early years of the last century; the circle sometimes included other luminaries such as T.S. Eliot, Bertrand Russell and E.M. Forster. A current exhibit at the Johnson Museum,
A Room of Their Own: The Bloomsbury Artists in American Collections, features the often overlooked visual artists who informed the group’s development as a hotbed of sexual and ideological libertinage as well as the bedrock of upper-crust cultural strictures.
| September 1, 2009
I returned this May from a semester studying abroad in St. Andrews, Scotland, and immersing myself back into American culture has been unexpectedly seamless. Despite having an unbelievable time jigging to bagpipes, slinging whiskey, and pretending to like mayonnaise on everything, I’ve had no trouble adjusting to the good old U S of A.
| August 31, 2009
This past Saturday night, the Cornell Concert Commission welcomed both new and old students alike with a free concert at Barton Hall. The contenders were Ithaca’s own Hubcap and California based Rogue Wave. While the former tried to intrigue new and old students with their alternative rock music and mentions of the ever so fine tastes of Ithaca, such as the all day music festival in Stewart Park next Sunday, the latter spent the majority of their set trying to rouse the Cornell corpses from their zombie like trance, which could have been attributed to the bleak weather outside or a general dissatisfaction with entering into or coming back to Cornell life.