Ivan Rodrigues, a Brazilian cinematographer with ten years of experience working in Hollywood, came to the Department of Performing and Media Arts last week to offer his professional advice and to shoot a film with students.
Sometimes in our lives, there’s nothing sadder than looking down at the toilet paper roll in a bathroom stall and seeing only the empty cardboard ring. There’s no moment more lonely, no feeling so isolating, no issue equally pressing. Nitzan Gilday’s film, Wedding Doll, showing at Cornell Cinema this Wednesday, puts things in perspective. Because, there is something sadder than looking at that hopeless cardboard ring: A paperless roll in a toilet paper factory’s solitary bathroom. And, believe it or not, there are moments more desperate than that.
If you were to ask last November which movie was poised to win the 2015 Best Picture at this year’s Academy Awards, a strong majority would subscribe to Carol as first-in-line for Oscar gold, as Cate Blanchett and Rooney Mara crafted a dynamically real and voyeuristic affair. The queer-centric film was heavily lauded by critics not only for those performances, but also for its message that is breaking ground for gay rights and equality. As a result, I was left scrambling for clarification when the nominees were announced and Carol was surprisingly omitted. Thus, the question remains: who will win the ultimate award of Best Picture? If the past is indicative of anything, it is that unpredictability is inevitable.