I walked into the Black Box Theatre at the Schwartz Center for the Performing Arts with one goal in mind: supporting my friend. When the light came on and John and his co-director Aisling Mannion ’24 stepped out to take their bows, I saw the pride in their faces for what they had accomplished.
This past weekend, a few hundred lucky people had the privilege of seeing something truly special at the Schwartz Center for the Performing Arts. I, like most people, had heard of West Side Story but had never seen it. I had hopes of being treated to an entertaining production, something a little more fun and high energy than the highbrow, somewhat pretentious theater you would usually encounter at the Schwartz. (Full disclosure: I adore that type of theatre.) But I knew that this was not an official Cornell-sponsored production, but rather a largely student run and conceived show, with students from both Cornell and Ithaca College coming together as part of Melodramatics Theatre Company to present their vision. Add in the fact that these students had but a short two months to bring this classic production from conception to the stage and, needless to say, I was not expecting anything too grandiose.
There is no artistic experience quite like going to the theatre. Each performance of a show functions as a unique entity, and there is a challenge in recreating it night after night with consistency. Part of this challenge naturally involves exploration of the many ways in which the audience can connect with the living, breathing actors who are the true substance of the play. At its best, a show can engage with the spectator in intimate ways that no other medium can match. The Complete Works of William Shakespeare (Abridged) [Revised] — which played on Feb.