The Un-Understandability of ‘Last Year at Marienbad’

Cornell Cinema recently showed the 1961 film Last Year at Marienbad, a French film about an old hotel populated by wealthy guests. It focuses on an unnamed man, the narrator, who aggressively insists that he had met the female protagonist, an unnamed woman, one year ago and she promised to give him an answer as to whether or not they could be in a relationship. She, however, has no memory of ever meeting him. Most of the movie consists of the man trying to convince her that his memory is accurate and hers is inaccurate. He wants her to leave the second unnamed male character who may or may not be her husband, which, at the end of the movie, she does.

Lynch: An Ode to the Weirdo’s Weirdo

As someone who is all three of those, the announcement of a David Lynch series at the Cornell Cinema was enough to make me giddy. But who is David Lynch, why is he so beloved and where can the less weird among us get started with his work? 

MEIDENBAUER | The Magic of the Cornell Cinema

In the basement of Willard Straight there’s a little movie theater. It’s clearly old, the seats are well worn and squeaky. The fading paint on the walls has several famous quotes, most of which I can’t quite recognize, except for Shakespeare and one in Latin. The lights are a fading yellow dim, in a way that would be creepy if it didn’t match the rest of the place so well.  There’s something compelling about the quaint little theater; it’s one of those hidden gems of Cornell. 

As a senior only a month and a half from graduating, I knew we had a cinema, but I had never actually been before this semester. I just never had a reason to go, and so I never actually took advantage of the opportunity.