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CHANG | The Unintended Consequences of Impeachment

I get it. You want Trump out of office. You find him despicable, a security threat, the embodiment of racism and most of all unfit for the presidency. But even in light of last week’s political firestorm that found two members of the president’s staff guilty on criminal charges, we should put faith in democracy and wait before passing judgement. Presidents can be impeached and removed for “Treason, Bribery, or other high Crimes and Misdemeanors,” according to Article II, Section 4 of the U.S. Constitution.

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STANTON | Sharon Jones and the Upside of Echo Chambers

Last Sunday, John Oliver concluded the third season of Last Week Tonight with a cathartic send-off to the year in a segment so eloquently dubbed, “Fuck You, 2016!” If you haven’t seen the episode, I’ll give you three guesses as to what it’s about. In a year that began with David Bowie’s death, the state of affairs never bothered to resettle on any form of status quo — opting instead to perpetually tumble further downhill. The general mood on campus following Election Day has seemed to oscillate somewhere between vitriol and despair, to the extent that a casual “How are you?” serves as an invitation to air out grievances rather than go through the motions of small talk. And whether in tone or subject matter, the election results have pervaded a large portion of the Daily Sun’s output because, well, what else is there to think about? As the White House proceeds in its transition to high-stakes reality TV show, pundits have made much of the modern media’s role in President-elect Trump’s ascent.

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JONES | SNL and the Normalization of Donald Trump

I hardly ever watch Saturday Night Live, or even single skits from it. From what I’ve seen, its sense of humor isn’t really my style: too broad and too topical without offering real criticism. Nonetheless, I watched the post-election episode, and thought that the show was exhibiting a new side. Kate McKinnon’s opening performance of “Hallelujah,” in character as Hillary Clinton, paid simultaneous tribute to the deaths of Leonard Cohen and Clinton’s presidential prospects (and the hopes of millions). This double-sided swan song was surprisingly powerful, especially when McKinnon ended by turning to the camera and saying sincerely, “I’m not giving up, and neither should you.”

Following just after, Dave Chappelle’s opening monologue was a reminder of his talent, a rumination on Trump and America’s progress that was by turns cutting, glum and hopeful.