“Scary Hours 2” might not be as spooky as the name implies, but it’s a worthwhile listen nonetheless. The project is classic Drake — Instagram-caption lines, atmospheric production and a hard-hitting Rick Ross verse. It’s what one would expect from the rapper, sure to satisfy the fans looking for some new Drake in their lives.
“All of us are living in a country where we have to deal with people telling us we don’t understand, how divided we are, and how bad shit is getting and how we gotta deal with this fucking idiot that’s in office. They’ll sit there and tell us this country is falling apart because of us,” Drake said at his August 31 show. “But tonight we got 16,000 people from all different backgrounds inside one building and all we’re doing is chilling and having a good time. This is how the country should be.”
See that’s the thing about music. No matter where you’re from, what language you speak, what you are or who you are, you are able to understand.
Scorpion, Drake’s 5th studio album and 9th overall project, comes at a crucial time in his career. With three studio albums that core fans live and die by, his 4th album, Views, made an attempt to capture his ever-ballooning fanbase — balancing pop hits, club bangers, crooning ballads and a handful of regular raps. The project was widely viewed as his worst album by critics while simultaneously becoming his highest selling album accumulating 4.14 million sales in 2016 and cementing him as the biggest artist in the world. The music world waited in suspense for Scorpion, pondering what he would do: would it be an album for the core fans? Would it be a pop album?
Start with a cliche, heartwarming love story and you have a good movie. Throw in a soundtrack that’s impossible not to dance along to, Ryan Gosling’s beautiful bone structure and an ending that renders me incapable of movement every time I rewatch it and you have a V-Day must-see. The Proposal — Anne Fletcher
If you’re looking for that perfect “wanna come over and watch a movie or something” film, look no further. The Proposal combines raunchy comedy with a story of unexpected love to create fun for the whole family. But be warned — your significant other will ask, “why don’t you look as good as Ryan Reynolds/Sandra Bullock naked?”
– Pete Buonanno ’20
The Philadelphia Story – George Cukor
A witty script and great comedic timing from the cast make this 1940 film a classic.
For any fan of hip-hop, Zaytoven’s name carries a sense of royalty and divinity. However, even if you are unfamiliar with the name, you have almost certainly heard one his tracks; in 2013 Migos released the Zaytoven-produced “Versace” which would soon after became a global sensation following Drake’s contributions to the song. In addition to this mega-hit, Zaytoven has been responsible for countless other bangers including “Big on Big” by Migos. Zaytoven’s beats all have a trademark sound. The tracks begin with his signature calling card “Zaytoven” said in a baby-like, helium infused voice.
It seems like it was just yesterday when dvsn, the Toronto-based joint project between vocalist Daniel Daley and producer extraordinaire Nineteen85, debuted in 2015. In the brief time since their inception, dvsn has garnered 150 million streams and, arguably, landed the largest gig that any aspiring artist could land. In 2016 dvsn opened up for the Drake and Future on the notorious Summer Sixteen Tour, and with this brought their smooth, 90s R&B to the masses. While although only debuting their music to the public within the past few years, dvsn has been involved in the music business for much of the last decade. In the early years, dvsn leaned heavily toward rap because, as Daley says in a recent Rolling Stone article, it wasn’t really the “coolest thing to say ‘Yo, I sing – have you heard that Boyz II Men record, that new Usher or Ginuwine?’” However, once 85 heard the remarkable voice of Daley, he knew that the talent couldn’t be ignored.
Drake has become the kind of generational figure that comes along once or twice a decade in pop music. Part of why he’s pulled it off is because, like Johnny Cash or a young Jay-Z, he communicates exclusively in a relatable, easy-to-understand way. Given a few seconds of a Drake song, the listener can identify that it’s Drake, decide if they relate to what he’s saying and make up their mind about it. He has mastered personal musings that seem like grand statements, journal entries aimed at a crowd. He kicks off Views with another one of them: “All of my let’s-just-be-friends are friends I don’t have anymore,” on “Keep The Family Close.” If this sentiment seems familiar, it might be because you’ve heard versions of it all over his past few albums. Don’t expect much innovation on Views, since it sticks to the themes that Drake has turned into a cottage industry: failed relationships, wistful nostalgia and the occasional chest-thumping taunt.