Gallery Hopping From Your Bedroom

The growing ubiquity of online viewing rooms allows art to be more accessible — not just in times of crisis, but for all who have access to the Internet.

Cartographies in Suspension

Before entering the space, it is as if the exhibit still has yet to be curated. A space that is normally bursting with artwork appears startlingly bare to the passing gaze from the exhibit’s periphery. Yet examination is almost always a generative process of exposure and uncovering — in terms of both the viewer as well as the viewed. The exhibit in question, Estudios de Tensión, meaning “studies of tension,” is a study of the relational and symbolic interactions that shape and constitute the world. A product of the artist Nicolás Robbio, the works can be found in the John Hartell Gallery in Sibley Hall until April 19.

Night Light: Beauty in Methodologies

Taught by Professor Jean Locey in the fall of 2017, ART 3604: Alternative Processes offers a stunning collection of works in Night Light, an exhibition held in Tjaden Hall. The class was an exploration of non-lens based photographic processes, centering around the creation of imagery through the painting of  photosensitive emulsion on paper followed by a subsequent exposure to light. Kylie Corwin ’18, one of the five featured artists,  remarks that, “this class challenges our contemporary perception of photography as a medium by teaching analog techniques that are not only historic but also labor intensive, thus enriching our appreciation for the physicality and vastness of the photographic medium.”

Originally used for the reproduction of diagrams and notes, the cyanotype is a photographic printing process that results in products with varying intensities of the titular cyan shade — hence the term, blueprint. However, the technique has since been extensively utilized by artists for a multitude of intentions. Jérai Wilson ’20 features this method in Recycled.

Beauty in the Unfinished: Drawing the Line

Drawing the Line, open until June 10 at the Johnson, displays over a century of drawing history from European artists. In particular, the exhibit celebrates both the drawing as a sovereign entity as well as an often-ignored component of the artistic process in its entirety. In this way, Drawing the Line forces the audience to closely reevaluate pre-existing notions of where and how beauty is to be found. A drawing technique with a history of over six centuries, gouache differs from watercolor in that it produces a distinctly more opaque finish. In an untitled composition from 1915, Pablo Picasso intermingles both gouache and watercolors.