Fairytales are fun as hell. But we rarely access the kind of childhood innocence that allows us to immerse our world completely in someone else’s. Theatre practitioner Mary Zimmerman taps into this potency in collaboration with the famous ensemble-based company, Lookingglass. The product is Secret in the Wings, which strips down six relatively obscure and decidedly strange European fairytales and jam-packs them into a script that forces its actors into highly physicalized ensemble gymnastics. Performing and Media Arts and Government double major Brian Murphy ’16 is the daredevil of a director who found this play, which, at least in terms of normative narrative structure, presents itself as a hot mess of a script.