In “Lifting the FeMale Gaze” Isabelle Pappas ‘23 writes that feminism has started to “confuse itself with female victimization.” Despite the author’s clear intentions to lift other women up, I strongly feel that this piece does more harm than good.
Women and gender-marginalized people have been the center of The Lily’s mission and I have enjoyed a safe space to read stories about reproductive rights in the United States, trans rights in sports and resources for survivors.
I know this is a week early, but considering that my column is titled Womansplaining, there is no way that I’d pass up on a chance to write a column about International Women’s Day ––and more broadly, Women’s History Month. This year’s United Nations’ theme for International Women’s Day is “Women in Leadership: Achieving an Equal Future in a COVID-19 World.” That is a long (and very important!) title, emphasizing the importance of elevating women into leadership positions amidst the COVID-19 pandemic. There is obviously no perfect feminist (contrary to my Instagram bio where I self proclaim myself the “professional feminist”) and no right way to advocate for women or gender justice. However, if you’re thinking about ways to be a gender advocate on campus this month, here are eight ways to be a “better” Cornell feminist.
Take a class in feminist, gender and sexuality studies.
If you’ve met me at any point in the last three years, you probably know my mantra: “Every person should have to take a feminist, gender and sexuality studies course on campus before they graduate.” Throughout my FGSS career, I have studied Beyonce’s impact on feminism, marital rape laws, the Disney princesses, Nigerian feminist poets, Greek life on college campuses and influencer culture. Every aspect of your life, past or present, has to do with gender.
Five members of Cornell’s organization The F Word attended the National Young Feminist Leaders Conference this past weekend. According to the conference’s website, its goals were to “provide young activists with the opportunity to network, grow their knowledge on pertinent domestic and global feminist issues, and fine-tune their organizing methodology.”
Sleater-Kinney, the radical DIY punk rock trio hailing from the riot grrrl scene of Olympia, Washington, was a defining group in rock and roll throughout the nineties and early 2000’s. Punk queens Corin Tucker and Carrie Brownstein (star of IFC’s Portlandia) got their start at Evergreen College screaming about various isms, and subsequently developed into one of the most acclaimed all-female rock groups of all time. Their notorious hiatus finally came to an end after nine years last Tuesday with the release of their eighth studio album No Cities To Love: a hiatus which has paralleled debatably some of the most precarious years for the genre of rock and roll in history. To make one thing clear, rock is not dead — the click-bait eulogizing of entire musical genres being one of the worse hobbies of pseudo-intellectual music bloggers but it has undeniably taken on new shapes in recent years. However, the girls are back in town and No Cities To Love takes us back to a more political and arguably a more dynamic moment in rock and roll, in disarmingly inventive ways.