Marvel fans may have noticed a brief scene in the recent hit film Captain Marvel featuring an alien language. The language, called Torfan, was created by two Cornell Ph.D candidates in the linguistics program, Ryan Hearn grad and Joseph Rhyne grad.
The 97-minute, 2016 film Free of Thought ends with John hunched over a sink in a dimly-lit kitchen. Through a doorframe, we see our protagonist doing the dishes and hear him whistling to himself: a quiet, unassuming moment almost all can relate to. What makes this particular, ostensibly-mundane scene so striking are the circumstances that led up to it. The film starts in Melbourne, Australia, where John is in a relationship with Mel. But by the film’s closing moments, John has become a habitual stoner, messily broke up with Mel and migrated to Montreal, Canada.
Ithaca is often considered to be in the middle of nowhere, but the work of student filmmakers from across the Northeast were on display at the fifth Centrally Isolated Film Festival at the Schwartz Performing Arts Center last weekend. A wide variety of short films ranging from documentary to animation to live-action narrative by students from more than a half-dozen schools were screened. “In this area, there aren’t a lot of film festivals, especially for student filmmakers, which is the entire idea of the Centrally Isolated Film Festival,” student organizer Isabel Pottinger ’19 said in an interview. “This year we made a very concerted effort to be in contact with a lot of different schools to try to get as much diversity in terms of the people involved in the film festival as possible, and we really reaped the rewards of that.”
The student organizers from the Film Festival Production Lab course, which focuses on running the film festival, including learning how to objectively judge films, pared down a list of over 100 submissions. “We talk about things like: is the sound good, is the cinematography good, does the director accomplish their artistic vision, do we know what their artistic vision is?” Pottinger explained.
The Student Assembly Appropriations Committee voted on Monday to allocate $0 to Cornell Cinema in 2018-20 in advance of the S.A. meeting on Thursday, when members of the Assembly will debate whether or not to approve the Committee’s recommendations.
Should I write about the nine transgender women of color (and counting) who have been killed so far in 2017? Or should I direct to you to Akhilesh Issur’s recent guest column, which poignantly illuminates Cornell’s ongoing mishandling of our international students’ urgent plight, not to mention the hypocrisy and apathy demonstrated by the institution at every turn? Should I write about James Harris Jackson’s premeditated, racially motivated murder of Timothy Caughman — the first, according to Jackson, of many? Should I remind you about the Cornell student who in January found himself on the receiving end of a text by another Cornell student calling him a nigger, only for the incident’s brief flare to be quickly extinguished? I’m not sure what I should write about, to be honest, nor am I sure if I have the energy or desire to do so today.
Michael Fassbender’s Assassin’s Creed is probably the best video game movie adaptation I’ve ever seen and I hated it. Though this movie certainly has its own issues, which I’ll get into later, my greater frustration is that it continues the trend of video game movies falling flat. As someone who has spent most his life playing video games, it pains me to keep seeing my favorite franchises have their reputations smeared on the silver screen. Every release, from Tomb Raider to Mortal Kombat, has been a regular disappointment. I’d say the Resident Evil franchise has made waves but despite getting the green light for a total of five sequels its films get torn apart by critics and fans alike.