Arts & Culture
Travis Scott’s ‘Utopia’ Unlocks a Whole World
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It’s a testament to the album’s production and songwriting versatility that Utopia shines through its poor lyricism and still delivers a claim to be one of the year’s best.
The Cornell Daily Sun (https://cornellsun.com/tag/hip_hop/)
It’s a testament to the album’s production and songwriting versatility that Utopia shines through its poor lyricism and still delivers a claim to be one of the year’s best.
His vocals have shifted from that of the king of lo-fi music to a capable pop singer’s.
For Manny Nemarko ’19, hip hop was both a passion and a lifestyle that led him to found Cornell Hip Hop Heads two years ago.
Room 25 — Noname
The fact that Noname’s Room 25 is our album of the year despite its relative lack of promotion is truly a testament to the quality of the album. Every track wows on its own but gets even better within the context of the album. Its live instrumentation and Noname’s poetic vocals give Room 25 the feeling of it being just you and her, something no other album is able to achieve to the same degree. All in all it’s the most cohesive and surprising album of 2018 and is deservedly our number one. —Daniel Moran
Dirty Computer — Janelle Monáe
Janelle Monáe’s latest release accompanied an “Emotion Picture” of the same name — a gorgeous combination of music video and narrative film loaded with social commentary.
Hip-hop legend Bobbito García presented a self-directed autobiographical film to a full-house on Tuesday, chronicling his ascension from a child struggling with alienation to a multi-talented icon.
Last week, Kendrick Lamar’s Damn. won the 2018 Pulitzer Prize for Music. This was the first time that a non-classical, non-jazz work was awarded the prize. I love Kendrick Lamar and I thoroughly enjoy Damn., but nevertheless, my reactions to this decision are mixed. Not, of course, about whether Kendrick Lamar’s work is deserving of such acclaim; indeed, the musical complexity and poetic mastery present on Damn., as well as earlier albums like To Pimp a Butterfly, warrant the utmost critical respect.
I have always believed that hip hop saves lives. As Kendrick Lamar once stated in an interview, “People live their lives to this music.” Hip hop is a form that allows marginalized members of society to express themselves and let other marginalized people know they are heard. This, I have always known. But not until I heard the name Travis Karter did I come to understand that hip hop music has the ability to quite literally physically prevent people from dying. After hearing his newest album Phase III, there was only one way to understand this rising star’s intentions, to have a conversation with him.
Harry Allen discusses his experience with Public Enemy, a hip-hop group which is famous for their highly political music and their fight for African-American rights.
“The budget for this video was $996,631.90. We gave it all away. Don’t tell the label.”
Drake’s catchy and uplifting song, “God’s Plan,” has been his fastest to jump to top 10 on Mainstream R&B/Hip-Hop charts and has not trickled down since. For over four weeks now, fans have been savoring this record, and many Cornellians have been bumping it on replay during fraternity parties and hikes up the slope. Drake followers were then stunned by his Instagram post last Thursday: a picture of a clapperboard with the caption “The most important thing I have ever done in my career…”
He did something a little different this time around.
For a generation who practically grew up on the internet, the age-old American adage of “Do It Yourself” has never loomed so tantalizingly close overhead. Want to make a music video for Youtube? Do it yourself. Want to organize a rally on Facebook? Do it yourself.