BANKS | To Whom I Owe My Artistic Wanderlust

No one other than James Baldwin could have ever hoped to deliver a proper eulogy to James Baldwin, but I find it incredibly ironic that my namesake ended up accepting the mantle. Amiri Baraka was an embattled and deeply flawed artist, and in reading his work, I have often found myself rapidly vacillating between vehement disapproval and mesmerized admiration. What he had to say about the man I aspire to be like, though, elicited neither of these responses. “Jimmy Baldwin created [contemporary American speech] so we could speak to each other at unimaginable intensities of feeling, so we could make sense to each other at higher and higher tempos,” wrote Baraka. For most anyone else, words like these would serve as poetic and profound excerpts from a worthy homage.

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GOULDTHORPE | The Doctor is In: Seuss and his Relationship with Animation

Walk into any kindergarten classroom in the English-speaking world, and you will find a Dr. Seuss book. I will bet money on it. Theodore “Seuss” Geisel has cast his spell over the world’s children for decades now; his whimsical wordplay, curious characters and surreal settings win over hearts young and old. “But David,” you wonder, “What on earth does this guy have to do with animation?” Well, this year we celebrate the 50th anniversary of the classic Dr. Seuss’ How the Grinch Stole Christmas!, the perennial holiday favorite that gave us the oft-applied “You’re a Mean One.” The 1966 Grinch is certainly the best-remembered adaptation of Seuss’ work, but it’s not the only one. Let’s delve into the long history of Seuss’ relationship with animation, and see where it’s going in the future.

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THE E’ER INSCRUTABLE | 1916: Annus Fugae Deorum

“Nulla è cambiato, la terribilità della tragedia è identica, tutte le apparenze effimere con cui la civiltà maschera e diversifica nei tempi il puro istinto umano sono qui abolite; l’uomo modern, l’uomo del secolo ventesimo, l’uomo che possiede cannoni e torpedini si ricongiunge al suo progenitore selvaggio, al suo antenato remoto armato soltanto del suo rude vigore e del suo coraggio feroce.” -Mario Morasso, writing of the Russo-Japanese War, April 3, 1904

This is my last article during my first year as a student at Cornell. I normally avoid personal pronouns and excessive self-reference in my articles; today, however, calls for a break in that routine, hopefully not to the displeasure of my readership of one and a half. I have a contention to make: 1916 was the year Germany should have won the war. The world would have been a better place if the apish “Mad Brute” of American wartime caricature, if the perpetrator of the Rape of Belgium had carried the day at Verdun and at the Somme. This is, I am aware, as argumentum ex silentio as it gets: bear with me.

Photo Courtesy of Buzzfeed

TALK IS CHIC | Fashion Forward or Fashion Backward

Cuddling in Eleni’s queen sized bed recounting a fun evening, we began discussing our lack of photo documentation this year.  By the time you reach senior year, is taking a #selfie in your novel mixer costume lame/sad/pathetic/overdone? Or were we having too much fun dancing and twirling? Either way, we’re getting nostalgic and sappy as our time at Cornell comes to an end:

GO:  Won’t we want to look back at pictures of us in our Brandy Melville crop tops and LF chokers, which are likely to be painfully outdated? ET: Or the body contouring, mini dresses that may only be acceptable and flattering in this realm of our lives?