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Silent Movie Month Returns to Ithaca, Commemorates Actress Anna May Wong
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Wharton Studio is hosting its 12th annual “Silent Movie Month,” spotlighting Chinese-American actress Anna May Wong and her contributions to the film industry.
The Cornell Daily Sun (https://cornellsun.com/tag/hollywood/)
Wharton Studio is hosting its 12th annual “Silent Movie Month,” spotlighting Chinese-American actress Anna May Wong and her contributions to the film industry.
Cornellian Amara Valerio ’24 was awarded a golden ticket in the hit show “American Idol,” advancing to the next round of the competition in Hollywood.
Now, as I pass the roaring Triphammer Falls and run my fingers along the walls of the rugged Ithaca Commons shops, I can sense the liveliness of each landmark, as if they are screaming lights, camera, action!
There is this foreign feeling which emerges from watching what should be your life play out on screen: every once in a while, when watching a movie or an episode of television, I notice characters are not wearing masks, not socially distancing or going out to parties and restaurants, and think “that can’t be made today.” Otherwise realistic works of art are sapped of that reality when the crushing changes of the pandemic sink in — and it becomes all the more painful when that work of realistic art is meant to represent your youth.
This petition seeks to address the exclusion of Black people in key scenes behind the media which reinforces systematic racism among police and the nation as a whole. The United States has had a rash of police killings of Black people. Part of the reason police kill Black people is because they stereotype all Black people as thugs. This is how the media represents us. Not just news media, but within film and television as well.
Last Friday, I finally sucked it up and watched Joker with another friend. Joker, styled in bold, strained yellow as the film’s title card, is exactly the kind of film it has been marketed as so far. Replete with jagged violence, moody lighting and an inimitable Joaquin Phoenix performance, the movie thrives on concocting shock and rage to drag out a visceral reaction from its audience. “Holy Shit,” someone muttered next to me, in what I turned out to only be the movie’s fourth or fifth most disturbing moment. It was just that kind of film.
“If it’s Halloween, it must be Saw.”
It’s been seven years since that tagline has been heard in cinemas. In 2004, Saw hit theaters and created a whole new subgenre of horror. It became an annual tradition. Every Halloween brought more death traps, more mystery and an ever growing web of mythos. For seven years, Lionsgate and Twisted Pictures harvested huge profits from these low-budget, box office hits.
As a fan of Salinger’s works, and someone who generally enjoys biopics about writers and creative people, Rebel in the Rye seemed to be right up my alley, but unfortunately fell flat in many places. I felt that Rebel in the Rye did not reveal or add much to what many fans already know about Salinger’s life.
In my spare time, I like to watch ABC’s standout program Fresh off the Boat, laugh, and forget about the perils of school for a moment. The show’s excellently casted: Constance Wu is the star, her motherly charm matched by Randall Park’s sheepish humor. Hudson Yang plays the awkward son growing in spades who’s rap obsessed but a poor student, and Forrest Wheeler and Ian Chen round out the family as the intelligent minions. They’re hilarious, relatable and straight up dorky. They’re also the exception.
Television is often seen as a low-brow art medium — but it shouldn’t be.