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Conception, Creation and Contemplation
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Is art material or idea, product or process?
This year’s history of arts majors’ exhibit in the Johnson Museum, Unfolding Process: Conceptual and Material Practice on Paper, showcases artwork that leaves a residue of the conceptual labor of creation inscribed on the body of the work itself. The exhibit suggests that the value of an artwork resides in its ability to function as a conduit between the artist’s conceptual and technical struggles and the viewer’s labors to achieve an aesthetic experience, whatever that may be.