I’ve always liked watching movies alone; I haven’t had trouble going to the theaters alone since before I turned 18. But for a time earlier this year, I’d never done it quite so much, or in quite such a specific way.
Cornell has spent millions of dollars to build these new palaces. Instead of a happier student body, however, these dorms may have the opposite effect. For multiple years, The Cornell Daily Sun has reported on the isolating nature of the new dorms.
Erin Scannell ’21, owner of Finn, the Big Red Bun, shares how her furry companion helped her overcome anxiety, loneliness and rejection at Cornell, reminding her to keep hopping along.
Loneliness is scary. It creeps up at night in our apartment, at lunch with our peers or on the ride back from your job at a local restaurant. We begin to feel unenthusiastic about our life and the future. The world seems a little bit bigger, a little bit darker. Your phone is right next to you but reaching out to someone seems impossible.
Bergmann said she has received thousands of positive messages from people of all ages across the world, but also faced some criticism for her content by people who were upset that she didn’t acknowledge her privilege.
One of the causes for this phenomena, according to Janis Whitlock Ph.D. ’03, director of the Cornell Research Program on Self-Injury and Recovery, is the use of social media.
Four years after his revered and still-bumped Channel ORANGE, R&B singer/enigma Frank Ocean has finally put out two follow-up projects: Endless and Blonde. Frank Ocean fans from the Arts & Entertainment section reflected on the albums: Were they worth the wait? Will they ascend to the same level of praise of Channel ORANGE? Chris Stanton: I had a friend make the mistake recently of criticizing Blond(e) to me, arguing that the hype around the album combined with Frank’s general aura of mystery had led to reactionary praise — longtime fans and casual passerby alike loudly proclaiming their hosannas to prove that they totally get art, man. Call it a product of spontaneous album releases or the performativity of social media, but the immediate public response to this sprawling project (TWO albums???