Arts & Culture
‘Greta’ is ‘Hansel and Gretel’ on Steroids
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Neil Jordan’s take on Hansel & Gretel-meets-psycho-thriller is nuanced and a bit unexpected.
The Cornell Daily Sun (https://cornellsun.com/tag/movie/page/3/)
Neil Jordan’s take on Hansel & Gretel-meets-psycho-thriller is nuanced and a bit unexpected.
Nearly seven decades after Reefer Madness was presented to churchgoing mothers, a musical starring Kirsten Bell and Alan Cumming premiered on Showtime — following a stage run. It was pretty good, too.
The 97-minute, 2016 film Free of Thought ends with John hunched over a sink in a dimly-lit kitchen. Through a doorframe, we see our protagonist doing the dishes and hear him whistling to himself: a quiet, unassuming moment almost all can relate to. What makes this particular, ostensibly-mundane scene so striking are the circumstances that led up to it. The film starts in Melbourne, Australia, where John is in a relationship with Mel. But by the film’s closing moments, John has become a habitual stoner, messily broke up with Mel and migrated to Montreal, Canada.
Ava DuVernay, the first black female director to have her movie nominated for a Golden Globe and Academy Award, will address Cornell’s Class of 2018 during Convocation on May 26 as the keynote speaker.
Cornell Professors examined the historical, cultural and political elements behind ‘Black Panther’ and expressed their views on what the movie got right and where it is unsatisfying.
Black Panther hits theaters everywhere tomorrow. The buzz around the movie is electric, as evidenced by its formidable social media presence, record-breaking box office projections and ubiquity in the thinkpiece realm. Though the reviews are glowing, what seems to be propelling this global phenomenon is not the movie itself, but its materiality to the world as it is today. In the comic book world, the word “retcon” is a common portmanteau for “retroactive continuity.” It refers to the reframing of past events to serve a current plot need. For example, TV shows often retcon characters’ backstories in order to explain their present actions.
“If it’s Halloween, it must be Saw.”
It’s been seven years since that tagline has been heard in cinemas. In 2004, Saw hit theaters and created a whole new subgenre of horror. It became an annual tradition. Every Halloween brought more death traps, more mystery and an ever growing web of mythos. For seven years, Lionsgate and Twisted Pictures harvested huge profits from these low-budget, box office hits.
Director M. Night Shyamalan gets a lot of crap, and rightfully so. Until his most recent outing, Split, he hadn’t made a good movie in more than a decade. After Earth was bad. The Happening was so bad that it was funny. The Last Airbender was so far down the scale of badness that it was no longer eligible to be funny.
When I was a junior in high school, I taught a film and media class at my former elementary school. I gathered a group of 11 year olds around a computer to write a script and asked them, “What message do you want to share to your audience?” They told me they wanted to make a movie about a dog traveling around the world; somehow dynamite and chicken wings were involved but I can’t remember how. “No, I mean what do you want the meaning to be?” I asked again. They didn’t understand what I was trying to say. They suggested dinosaurs instead of the dog.
“What happens now?”
“They arrive.”
by Elyes Benatar
Arrival. The title itself echoes as a strike against convention. This is not a film about aliens invading. It’s a film about aliens arriving. It’s a film that presents a realistic narrative about humanity’s attempts at contact and interaction with extraterrestrial beings.