The Good, “The Great” and the Ugly

It begins with a lackluster episode, “Heads It’s Me,” a minefield of forced humor and a casual end to the coup against Peter that occupied the whole of the last season. It tries to tie up the loose threads of the far more compelling finale that preceded it. On average, however, the writing does improve gradually,  as Catherine and her court adjust to her new reign and her pregnancy. Intrigue is layered upon intrigue, ambitions and appalling mistakes rising like the smoke from poisonous candles Catherine receives for her attempts at diplomacy. At times sickening, at others charming, The Great’s second season is a woozy, erratic take on similar themes to its first: idealism, desire and the price of power. 

Rebel in the Rye Epitomizes Holden Caulfield’s Favorite Word

As a fan of Salinger’s works, and someone who generally enjoys biopics about writers and creative people, Rebel in the Rye seemed to be right up my alley, but unfortunately fell flat in many places. I felt that Rebel in the Rye did not reveal or add much to what many fans already know about Salinger’s life.