Friday’s engaging conversation with the Academy-Award winning director took place in a sold-out Bailey Hall and featured Prof. Samantha Sheppard, performing and media arts. It was co-hosted by the Cornell University Program Board and the Multicultural Concert Funding Advisory Board.
Damien Chazelle is rapidly cementing himself as one of the most talented young filmmakers working today. Although it would be fair to accuse “First Man” of being a vehicle for director Damien Chazelle to show off with a somewhat thin screenplay underneath, I’m very much down to watch Chazelle flexing for the next 50 years. He brought me back to my childhood and made me feel like I wanted to be an astronaut again.
What an absolute shock that Pixar won Best Animated Feature. Okay, so sarcasm doesn’t translate well into text. It was practically certain that Pixar’s Coco would end up with the coveted Oscar. Of course, when half of its competition is Ferdinand and The Boss Baby, it had a relatively easy path forward. Now there has been plenty of discourse about how the animation nominations are selected, and plenty of discourse over whether it’s proper for Disney to win the award so often.
Here are the Sun’s predictions for the 2018 Academy Awards. Best Picture:
Should Win — Get Out
Unless we want another Crash over Brokeback Mountain situation, Get Out should win Best Picture this year. It captures the zeitgeist of 2017 in a way that something like The Shape of Water simply doesn’t. Jordan Peele, in his directorial debut, accomplished the rare feat of creating a movie that is entertaining as hell and a layered onion to peel far after you leave the theater. At nearly every juncture, Peele’s script goes somewhere smart and unexpected, with plenty of clever foreshadowings along the way.
With the Oscars approaching, I’ve committed myself to watch every Best Picture nominee. I’ve already watched six. I’ll happily make it through the next two on my list — The Shape of Water and Phantom Thread — and force myself through The Post. No knock on Steven Spielberg and his cast. I just tend to have a hard time getting into historical films.
Many viewers seem to regard awards shows with something between amusement and derision, and with good reason.