From left to right: Mitski's Be the Cowboy, Noname's Room 25 and Janelle Monae's Dirty Computer.

The Sun’s Top 10 Albums of 2018

Room 25 — Noname

The fact that Noname’s Room 25 is our album of the year despite its relative lack of promotion is truly a testament to the quality of the album. Every track wows on its own but gets even better within the context of the album. Its live instrumentation and Noname’s poetic vocals give Room 25 the feeling of it being just you and her, something no other album is able to achieve to the same degree. All in all it’s the most cohesive and surprising album of 2018 and is deservedly our number one. —Daniel Moran

Dirty Computer — Janelle Monáe

Janelle Monáe’s latest release accompanied an “Emotion Picture” of the same name — a gorgeous combination of music video and narrative film loaded with social commentary.

5ad4f78e146e7122008b4c7e-750-563

SWAN | This Should Be a Given

Last week, Kendrick Lamar’s Damn. won the 2018 Pulitzer Prize for Music. This was the first time that a non-classical, non-jazz work was awarded the prize. I love Kendrick Lamar and I thoroughly enjoy Damn., but nevertheless, my reactions to this decision are mixed. Not, of course, about whether Kendrick Lamar’s work is deserving of such acclaim; indeed, the musical complexity and poetic mastery present on Damn., as well as earlier albums like To Pimp a Butterfly, warrant the utmost critical respect.

p9 arts bazzi color

TEST SPIN | Bazzi — COSMIC

“You so fucking precious when you smile,” sings Bazzi on the opening lines of his breakthrough single “Mine” which was released in October of 2017. The song rose to prominence in early 2018 after being featured in a Snapchat filter as well as on a recent playlist curated by Taylor Swift. The song has been streamed millions of times and has peaked at number 11 on the Billboard Hot 100 Chart. Largely due to “Mine” and an endorsement from Apple Music granting him heavy promotion, the 20-year-old Michigan native Bazzi’s debut studio album COSMIC had become one of the most highly anticipated albums of 2018. And its arrival has not been a let down.

fu2wul4d18sy

In New York He Milly Rocks: Playboi Carti at Cornell

Mike Floss was the catalyst to the night, starting off with a high energy set that featured heavy R&B beats, influenced by popular artists such as Travis Scott and Lil Uzi. Arriving in Ithaca from Tennessee, Floss brought his innovative and unique sound, inspired by the regressive rap culture prominent in Nashville. Sporting the finest of urban street wear, Floss took the stage in a black and red tracksuit with an embroidered head scarf, belting out his “Freak of the Week.” Floss’s sound radiated throughout Barton Hall, as his opening track surely set the tone for a high energy night. About midway through his performance, Floss pointed to a section leftward of the stage that just wasn’t keeping up with his energy level. He laughed and said, “Don’t worry though.

SWAN | Kendrick Lamar’s Satire

The 60th Annual Grammy Awards ceremony was held on Sunday evening and opened with an appearance by Kendrick Lamar. His performance consisted of a medley with songs like “DNA.” and “XXX.” from Damn. and “King’s Dead” from the Black Panther soundtrack. To accurately describe his performance in words would ultimately futile —  though I will briefly attempt to do it anyway.  I encourage you to check it out.