Arts & Culture
DOOLITTLE | It’s Not the Years, It’s the Mileage: Ageism and Sexism in Hollywood
I have already gone through the seven stages of grief for Indiana Jones. In the eight years since the lackluster reception and, if I may say, gratuitous backlash to Kingdom of the Crystal Skull, I had accepted that my favorite cinematic character was dead and buried, interred until the inevitable reboot resurrection returned the whip-cracking archaeologist to the silver screen. Shia LaBeouf pre-not-being-famous-anymore had been set up as the likely standard bearer, or perhaps Chris Pratt would pick up the fedora, but someone had to replace Harrison Ford, who had long expressed a disdain for returning to popular roles. On Tuesday, Disney and Steven Spielberg announced that they were going ahead with the long-gestating fifth Indiana Jones movie, to be released in 2019. Of course, this was to be expected: When Disney bought out Lucasfilm in 2012, they acquired the entire Star Wars saga and the ability to print money, but also the rights to any future treks for the globetrotting acquirer of rare antiquities.