Even before the show begins, the set at the Clark Theatre in Dillingham Center of Ithaca College is striking — clean lines, neat delineations of space with blues and whites, and solid colors immediately give a modern tone to Blood Wedding, the famous tragedy of Spanish playwright Federico Garcia Lorca. Set in twentieth century rural Spain, Blood Wedding tells the story of an on-going curse of a family feud and deception as it explores the story and aftermath of a young woman who abandons her own wedding for her former lover. Though such a story could easily slip into the realm of cliché, the clean aesthetic and direction of Ithaca College’s “Blood Wedding” keeps the narrative fresh and enthralling. Director Norm Johnson’s Blood Wedding remains contemporary in great part due to the set and costumes. The creative team (Scenic design: Emily Weisbecker; Costume design: Victoria Pizappi; Lighting and projection design: Steve TenEyck, assisted by Teddy Kosciuszek; Sound design: Don Tindall) does an incredible job with a nod to Lorca’s surrealist links — the look is simple but timeless.