In his book Creativity Inc., which details the founding of Pixar, Ed Catmull likens the presence of fellow co-founder Steve Jobs to the famous 1980s Maxwell tape commercial, with the dude in the suit being blown back full force — tie, cocktail, lampshade and all— by the sheer power of his stereo system. According to Catmull, everyone else was always the dude in the suit, and the stereo system was always Jobs. Steve Jobs does nothing to disprove Catmull’s analogy of Jobs as an intense, driven, borderline psychotic individual whose life had controversy, ambivalence and intrigue to spare. Written by Aaron Sorkin, one of the few auteurist screenwriters of today, the film invites much comparison to his masterful script for The Social Network five years back, which likewise focused on an ambivalent, controversial, intensely driven individual who ended up forever changing the world as we know it. Social Network was helmed by David Fincher, a director of notoriously misanthropic and exquisitely dark films, who was originally slated to do Jobs before Danny Boyle stepped in.