Pop Music's Provocateurs

Pop radio is brainwashing the ears of America. I don’t care how many times you’ve heard it; the music heard on the radio and advertised as mainstream is, more often than not, a dirtied reflection of only the tiniest, most insignificant percentile of actual musical output. Regardless of our inability to change the airwaves, however, it’s easy to stop plugging your ears with the synthesized plastic of music’s darkest dregs.

Student Artist Spotlight: Steady State

The members of Steady State are an eclectic group of Cornellians with majors ranging from communications to chemistry, and interests ranging from crew to chess. In fact, the band originally started up in the most unlikely of contexts — the crew team. Members play multiple instruments; one, Gretchen Craig ’11, even playing an instrument not typically found in most bands — the cello. Daisy Glazebrook ’11 is responsible for the lead vocals and also plays the guitar. Mike Meubusch ’11 does vocals as well and can be found on the drums, guitar or even the tambourine. Neal Murphey ’11 plays the piano. Deke Hill ’11 does vocals and plays the bass as well as guitar.

Layers Upon Layers: Paper and Image

This week’s art show in Hartell Gallery is no easy view — there’s a lot to see and dissect, from works on paper to sculpture and even sculptural works on paper. The viewer simply can’t absorb the entire installation in one turn around the room. Elliot Hess grad’s M.F.A. thesis show is challenging but not inaccessible; the conscientious viewer will not walk away empty-handed.

Documenting Impossiblity Through Sculpture

Yes; I’m Serious, and Don’t Call Me Surely, the thesis show of M.F.A. student Allen Camp ’09, is as funny as its title promises. However, it is equally serious. A selection of three-dimensional works in a limited palette, the show investigates the often-paradoxical relationship between objects and their “idiographic symbols.”

Worth His Weight In Plaster

The fulcrum is a handshake. It’s an exchange of power, a link between bodies, the passing of traditions and a tight squeeze for love.
“It all rests in the hands,” Noah Robbins ’10 said about the two statues he has constructed for his untitled exhibit that explores these themes and is currently open in Tjaden gallery.
Two heavy, white-plaster casts of individual male torsos perch atop wood crate-like pedestals. The two bodies unite by extended arms — they hold hands out between the two wooden columns on which they rest. One body is from a smaller man, presumably a younger man, and both bodies seem immensely unyielding and weighty. The two arms that extend over the gap between the pedestals seem uncommonly fragile.

Student Artist Spotlight: Ian Goldin '12

Loquacious in personality and modest despite his numerous achievements, Ian Goldin ’12 has experimented with nearly every musical instrument designed, plays in the Percussion Ensemble, sings in the Cornell University Glee Club and is a member of The Hangovers. And if that wasn’t enough, he’s also recently been elected Musical Director of The Hangovers, a rare honor for a freshman. As he begins by quipping “Ian Goldin needs a haircut; make sure you put that in!” this “Superhero” talks about his interests in music and what it means to be a member of The Hangovers.
Sun: Ian Goldin the Superhero. Tell me how you got that title?

Winter Wonderland of Poetry, Photography and Art

Snowscape: A Series of Portraits, an installation by Mollie Miller ’10, currently in Tjaden Gallery, is not for the faint of heart. The works, which include photography, lithography, drawing, painting and video, will require your full attention and some serious study. The installation follows the stanzas of Miller’s poem, titled “Snowscape,” giving equal weight to written text, large black-and-white photos and small, fast drawings. The installation culminates in two projections at the far end of the gallery.

Student Artist Spotlight: Adrianne Ngam '13

A self-confessed “music nerd”, Adrianne Ngam ’13 loves to find humor in every little thing she does, be it playing doo-wop beats on the cello or designing a soaring skyscraper, and considers music more personal than professional. Sitting across a table in The Green Dragon, every architect’s favorite hangout spot, this winner of the fifth annual Cornell Concerto Competition and guest performer at the Cornell Symphony Orchestra’s recent concert talks about her passion, her profession and their confluence.
Sun: What was it about the cello that attracted you?