As I call up Zakir Hussain on the phone for this interview, I call up also memories of my childhood. I was raised in a small town in Marin County, California, where it so happens the mother of a childhood friend studied traditional Kathak dance with Zakir’s wife, Antonia Minnecola. I distinctly remember those performances, and can’t help but laugh at myself now for being too young then to recognize the greatness to which I grew up in such close proximity. Thirty years and seemingly infinite more of musical exposure later, here I sit transcribing my conversation with the world’s leading virtuoso of the tabla drums. When I tell him about our distant connection, he says to me, “What a small world this has suddenly become,” and the strange twists of life that completed this circle feel all the more inevitable to me as I offer my first question. Sun: Thinking back on your many projects reminds me of how many so-called “crossovers” you have done.